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In a time of dramatic global change, VOICES offers a musical message of hope. Max Richter invited people around the world to be part of the piece, crowd-sourcing readings of the Universal Declaration of Human Rights to be interwoven into the work, which features an ‘upside-down’ orchestra. He received hundreds of submissions in over 70 languages. These readings form the aural landscape that the music flows through: they are the VOICES of the title.Max Richter explains, “I like the idea of a piece of music as a place to think, and it is clear we all have some thinking to do at the moment. We live in a hugely challenging time and, looking around at the world we have made, it’s easy to feel hopeless or angry. But, just as the problems we face are of our own making, so their solutions are within our reach, and the Universal Declaration of Human Rights is something that offers us a way forward. Although it isn’t a perfect document, the declaration does represent an inspiring vision for the possibility of better and kinder world.\u003c\/p\u003e\n","brand":"Max Richter","offers":[{"title":"Default Title","offer_id":44941702005025,"sku":"898652","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/UMG_1392.png?v=1748006708"},{"product_id":"the-gods-we-can-touch-vinyl-2lp","title":"The Gods We Can Touch: Vinyl 2LP","description":"\u003cp\u003eALTERNATIVE TRACKLISTING: this vinyl contains two tracks that are exclusive to this product.\u003c\/p\u003e\u003cp\u003eThe highly-anticipated album, The Gods We Can Touch from Aurora. It is an elegant and celestial but provocative album about shame, desire and morality, all seen through the narrative prism of Greek mythology. 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In the spring of 2000 she came to the attention of Bruce Lundvall, the head of Blue Note Records. Impressed by her grasp of the standards and her originality, Lundvall offered her a demo deal with the option for the label to extend this to a full album deal. Norah mixed up the record with a focus on originals she and her band had written rounded out with a few jazz standards she loved. The collection of 13 songs, recorded over three days at Sorcerer Sound in Soho was engineered by Jay Newland who had worked on Etta James’ Billie Holiday tribute record ‘Mystery Girl’. The band: the same as that she had been gigging with—Jesse Harris on guitar, Lee Alexander on bass, and Dan Reiser on drums. Adam Rogers and Tony Scherr played guitar on a few additional songs and tabla player Vikram Gosh joined for one cut on the demo. Lundvall signed Norah as a Blue Note artist off the back of the thirteen tracks submitted.\u003c\/p\u003e\u003cp\u003ePrior to cutting the album, the best of these demos were released as a limited-edition promotional EP, titled First Sessions. Norah and band started to play fewer and fewer straight jazz gigs turning their focus to original music while mixing in the covers and standards. Cassandra Wilson’s New Moon Daughter had been a favourite album of Norah’s and was a big inspiration for the kind of record she wanted to make so she asked Lundvall if she could work with producer Craig Street. Street agreed and they headed to Allaire Studios in upstate NY. Street brought in Bill Frisell and Kevin Breit on guitars, Brian Blade and Kenny Wollesen on drums, and Rob Burger on accordion and organ. Lee Alexander stayed on the bass, and Husky Höskulds, who had a love for vintage equipment and a knack for capturing a vibe on tape, recorded everything. 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Mardin and Jones chose the best of the demos and the Craig Street sessions—'Don’t Know Why’ and ‘Turn Me On’ from the demo sessions and ‘The Long Day Is Over,’ ‘Feeling The Same Way,’ and ‘Seven Years’ from the Allaire sessions, all with a few new overdubs and new mixes—and recorded nine additional songs in the same spirit of the demos, with the original trio of Harris, Alexander and Reisler, plus Brian Blade back on drums, Adam Levy on guitar, and Jenny Scheinman on violin.\u003cbr\u003e\u003cbr\u003eUltimately, all three sessions played a unique part in making the record what it ended up being: An eight-time Grammy Award®-winning album that Rolling Stone described as ‘One of the best debut albums of all time,’ that has gone on to sell close to 30 million units to date. ‘In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. 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Arriving off the back of the widespread international success of the first volume, which topped jazz charts around the globe, Blue Note Re:imagined II once again infuses the spirit of the new UK jazz generation into the legendary label’s iconic catalogue, balancing the genre’s tradition with its future and reflecting the melting pot of talent and diversity within the current scene.\u003c\/p\u003e\n\n\u003cp\u003eAdditional tracks on the album will include funk-pop duo Franc Moody’s version of Donald Byrd’s Cristo Redentor, fast-emerging vocalist Cherise’s take on Norah Jones Sunrise, Maya Delilah covering Neil Young’s Harvest Moon, which was recorded by Cassandra Wilson on her 1995 Blue Note album Blue Moon Daughter, Birmingham-born pianist Reuben James’ reimagining of Wayne Shorter’s ballad Infant Eyes, London tuba player and Sons of Kemet member Theon Cross with a version of the Thelonious Monk\/Kenny Clarke composition Epistrophy, and 9-piece afro-jazz outfit Nubiyan Twist’s fresh spin on Donald Byrd’s Through The Noise (Chant 2).\u003c\/p\u003e\n\n\u003cp\u003eBlue Note is celebrated almost as much for its visionary album art as for its legendary recordings. 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The opening title is Federico Fellini’s milestone AMARCORD, which is here presented for the first time ever as a 180gr gatefold double LP, carefully restored and remastered from the original master tapes. AMARCORD won an Academy Award in 1974 as Best Foreign Film, besides receiving two nominations for Best Director and Best Screenplay. The sweet and evocative music by Nino Rota takes the listener on a journey through the places of Fellini’s boyhood in Rimini, creating a combination of music and images that is absolutely perfect and still internationally appreciated today. This edition includes a 30x75cm illustrated poster, with a reproduction of the original Nino Rota music sheets. This very special re-release of this classic by Nino Rota is in honor of what would have been his 110th birthday.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Amarcord     \u003cbr\u003e2. La Fogaraccia     \u003cbr\u003e3. Le Manine Di Primavera     \u003cbr\u003e4. Lo Struscio \/Quel Motivetto Che Mi Piace Tanto \/Stormy Weather \/La Cucaracha     \u003cbr\u003e5. L’emiro E Le Sue Odalische \/Salomé – Abat-Jour     \u003cbr\u003e6. Gary Cooper     \u003cbr\u003e7. La Gradisca E Il Principe     \u003cbr\u003e8. Siboney     \u003cbr\u003e9. Danzando Nella Nebbia     \u003cbr\u003e10. Tutti A Vedere Il Rex     \u003cbr\u003e11. Quanto Mi Piace La Gradisca     \u003cbr\u003e12. La Gradisca Si Sposa E Se Ne Va     \u003cbr\u003e13. Amarcord (Guitar And Harmonica)     \u003cbr\u003e14. Siboney (Accordion)     \u003cbr\u003e15. Amarcord (Grand Hotel)     \u003cbr\u003e16. Amarcord (Il Barbiere)     \u003cbr\u003e17. Amarcord (Tenderness)     \u003cbr\u003e18. Amarcord (Dancefloor Part 1)     \u003cbr\u003e19. Amarcord (Grand Hotel) (Alternate)     \u003cbr\u003e20. Salomé - Abat-Jour (Alternate)     \u003cbr\u003e21. Danzando Nella Nebbia (Alternate Mix)     \u003cbr\u003e22. 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Pop’s Lolly | 3 NOTTI D’AMORE - 2:19 - 1964     \u003cbr\u003e2. Dior Dance | IL MONDO DI NOTTE N. 2 - 3:22 – 1961 * **     \u003cbr\u003e3. Mani in alto – M16 | MANI IN ALTO - 1961 – 2:31 ° \/ *     \u003cbr\u003e4. L’assassino (Titoli) | L’ASSASSINO - 2:45 – 1961 °°     \u003cbr\u003e5. Autoradio | UNA VITA VIOLENTA - 2:03 - 1962     \u003cbr\u003e6. Tre per una rapina (Titoli) | TRE PER UNA RAPINA - 1:59 - 1963 °     \u003cbr\u003e7. I dolci inganni - M11 | I DOLCI INGANNI - 1960 – 2:20 – 1960 °°     \u003cbr\u003e8. Dea di un sogno | UN TENTATIVO SENTIMENTALE - 4:24 - 1964     \u003cbr\u003e9. La notte brava (Atmosfera romantica) | LA NOTTE BRAVA - 1:19 – 1959 °°     \u003cbr\u003e10. Danza selvaggia | IL FIGLIO DI SPARTACUS - 2:05 – 1962 °°     \u003cbr\u003e11. Tema di Donì | NIENTE ROSE PER OSS 177 - 2:41 – 1968 °°     \u003cbr\u003e12. Tema di Titina | TOH è MORTA LA NONNA - 1:26 – 1969 ° \/ *     \u003cbr\u003e13. 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