{"title":"Music: CD","description":"","products":[{"product_id":"blue-note-re-imagined-2cd","title":"Blue Note Re:imagined 2CD","description":"\u003cp\u003eThis summer will see the release of Blue Note Re:imagined; a brand-new collection of classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene’s most exciting young talents.\u003c\/p\u003e\n\n\u003cp\u003eRepresenting a bridge between the ground-breaking label’s past and future, the project features contributions from a rollcall of 16 revered UK acts including Ezra Collective, Nubya Garcia, Poppy Ajudha, Jordan Rakei and Brit Award-winning Jorja Smith.\u003c\/p\u003e\n \n\u003cp\u003eBlue Note, which celebrated its milestone 80th anniversary in 2019, boasts an illustrious catalogue that traces the entire history of jazz and the Re:imagined project features music originally created by some of its most legendary artists.\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":44941352206625,"sku":"710012","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/SharedImage-111889.png?v=1747133164"},{"product_id":"disney-goes-classical","title":"Disney Goes Classical","description":"\u003cp\u003eDecca Records and Disney Music Group’s Walt Disney Records are thrilled to announce the release of Disney Goes Classical, a brand-new album evoking the colour, emotion and pure joy of Disney music on a whole new scale.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing the prestigious Royal Philharmonic Orchestra and a host of celebrated names, beloved Disney themes have been expertly re-orchestrated and recorded at London’s Abbey Road Studios, home to some of the finest movie soundtrack releases from the last century.\u003c\/p\u003e\n\n\u003cp\u003eThe album features music from the most-recognisable Disney films from its Golden Age to the nineties Renaissance and into the modern era. From The Jungle Book and Pinocchio to Alan Menken’s inimitable scores from Pocahontas, The Little Mermaid, Aladdin and Hercules, 80 years of Disney magic have been reimagined in stunning cinematic sound.\u003c\/p\u003e\n","brand":"Royal Philharmonic Orchestra","offers":[{"title":"Default Title","offer_id":44941403717921,"sku":"724242","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/image_of_0724242.png?v=1745966972"},{"product_id":"all-rise-cd","title":"All Rise CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAll Rise\u003c\/em\u003e CD\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUndeniably one of the best voices of our generation, Grammy award-winning singing sensation Gregory Porter has made his eagerly-awaited return to the studio with his sixth studio album ‘All Rise’.\u003c\/p\u003e\n\n\u003cp\u003eFollowing on from 2017’s ‘Nat King Cole \u0026amp; Me’ album, Porter’s forthcoming record marks a return to his beloved original songwriting – heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues, and gospel. First single, ‘Revival’, sets the tone, kicking off with Gregory’s signature hand-clapping. \"Yes, you could say that I went big,\" says Gregory about the track, which features a handpicked horn section and 10-member choir. He explains, “For me, it’s the message of walking into this life and having some fear and self-doubt, and the point where you grab onto something that you know is real, the silent and real things, the truth… Once you can wrap onto the truth then this fearlessness comes.”\u003c\/p\u003e\n\n\u003cp\u003eSince his 2013 debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. Porter is still surprised by his runaway success, but he has a theory: \"I was soothed by my voice as a child and I think that's the same thing others get from it. I'm trying to heal myself with these songs.\"\u003c\/p\u003e\n\n\u003cp\u003e“Is it possible for Britain to love Gregory Porter any more than we already do?” Evening Standard\u003c\/p\u003e\n\n\u003cp\u003e“You could take a bath in that voice” Daily Telegraph\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eConcorde\u003c\/li\u003e\n\t\u003cli\u003eDad Gone Thing\u003c\/li\u003e\n\t\u003cli\u003eRevival\u003c\/li\u003e\n\t\u003cli\u003eIf Love Is Overrated\u003c\/li\u003e\n\t\u003cli\u003eFaith In Love\u003c\/li\u003e\n\t\u003cli\u003eMerchants of Paradise\u003c\/li\u003e\n\t\u003cli\u003eLong List of Troubles\u003c\/li\u003e\n\t\u003cli\u003eMr. Holland\u003c\/li\u003e\n\t\u003cli\u003eModern Day Apprentice\u003c\/li\u003e\n\t\u003cli\u003eEverything You Touch Is Gold\u003c\/li\u003e\n\t\u003cli\u003ePhoenix\u003c\/li\u003e\n\t\u003cli\u003eMerry Go Round\u003c\/li\u003e\n\t\u003cli\u003eThank You\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Gregory Porter","offers":[{"title":"Default Title","offer_id":44941589905697,"sku":"862035","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/products\/SharedImage-109930_4_69852513-72a6-49ac-9ce2-9d570bba2565.webp?v=1698423963"},{"product_id":"the-women-who-raised-me-1","title":"The Women Who Raised Me","description":"\u003cp\u003eSinger and pianist \u003cb\u003eKandace Springs\u003c\/b\u003e — whose soulful singing led her late mentor Prince to praise her “voice that can melt snow” — has announced her newest project, \u003cb\u003e\u003ci\u003eThe Women Who Raised Me\u003c\/i\u003e\u003c\/b\u003e, out March 27 on Blue Note Records. Produced by GRAMMY-winning producer Larry Klein (Joni Mitchell, Herbie Hancock) — who produced Springs’ 2016 debut Soul Eyes — The Women Who Raised Me is a tribute album to the female vocalists who most impacted Springs’ music, stylings, and journey.\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDevil May Care (Feat. Christian McBride)\n\u003c\/li\u003e\n\u003cli\u003eAngel Eyes (Feat. Norah Jones)\n\u003c\/li\u003e\n\u003cli\u003eI Put A Spell On You (Feat. David Sanborn)\n\u003c\/li\u003e\n\u003cli\u003ePearls (Feat. Avishai Cohen)\n\u003c\/li\u003e\n\u003cli\u003eEx-Factor (Feat. Elena Pinderhughes)\n\u003c\/li\u003e\n\u003cli\u003eI Can't Make You Love Me (Feat. Avishai Cohen)\n\u003c\/li\u003e\n\u003cli\u003eGentle Rain (Feat. Chris Potter)\n\u003c\/li\u003e\n\u003cli\u003eSolitude (Feat. 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For RMX the idea was both simple and inspired; commission a remix of every track from last year’s album and present a total re-imagination of the record, a remix, or as the band title it, a RMX. In the end they went one better; with a remix of every track (and two of one) plus a remix of the track Petit_a, which was originally released only in Japan before surfacing on their Live from Studio 2 digital EP.\u003c\/p\u003e\n\n\u003cp\u003eThe idea behind RMX was also the catalyst for a remarkably inspired collaboration. The Manchester trio's music has always drawn heavily on electronica (alongside jazz, indie and classical influences) and so commissioning ten of their favourite artists to rework their music made perfect sense - and the results are spectacular. One of the very best remix projects you will hear anywhere. Amongst the many highlights are Squarepusher’s thumping remix of F Maj Pixie, alongside Japanese producers Cornelius and Yosi creating sublime new landscapes with the band’s music on Kora and Embers.\u003c\/p\u003e\n\n\u003cp\u003eJames Holden assembles an epic synth odyssey around Totem and Portico Quartet produce a sympathetic reworking of Don’t Go. Band faves Clark and Nathan Fake produce inimitable reworkings as does noted French producer Rone, while American producer Machine Drum turns Atomised into dance floor friendly ‘belter’ which is also the first single. Finally, the band have not forgotten their hometown - Manchester is well represented, with remixes from elder statesman and dance music legend Graham Massey (808 state) and new discovery Shunya, whose enigmatic reworking of To The Nth almost steals the record.\u003c\/p\u003e\n\n\u003cp\u003eWhen a musical ensemble chooses to self-title an album mid-career,itusually signifies their convictionthat they’ve struck upon the motherlode, hit the jackpot, stepped up andgenerallyarrivedat a point they’ve always striven for but never quite attainedbefore. After months of aural alchemy up North, GoGo Penguin are now ready to go back into the world again, and take the upward trajectory to its next stage with this wondrously ambitious new album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1.    1_#     \u003cbr\u003e\n2.    Atomised     \u003cbr\u003e\n3.    Signal In The Noise     \u003cbr\u003e\n4.    Open     \u003cbr\u003e\n5.    F Maj Pixie     \u003cbr\u003e\n6.    Kora     \u003cbr\u003e\n7.    Totem     \u003cbr\u003e\n8.    Embers     \u003cbr\u003e\n9.    To the Nth     \u003cbr\u003e\n10.   Don’t Go\u003c\/p\u003e\n","brand":"GoGo Penguin","offers":[{"title":"Default Title","offer_id":44942076281121,"sku":"3565289","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/products\/SharedImage-116926_67c618bd-1e8f-44d0-be1d-b1e45dd94c78.png?v=1681808900"},{"product_id":"the-gods-we-can-touch-cd","title":"The Gods We Can Touch CD","description":"\u003cp\u003eThe highly-anticipated album, The Gods We Can Touch from Aurora. It is an elegant and celestial but provocative album about shame, desire and morality, all seen through the narrative prism of Greek mythology. In each of the album’s fifteen songs we meet a different god. The Gods We Can Touch will be released on 21st January 2022.\u003c\/p\u003e\n\n\u003cp\u003eThe Gods We Can Touch, an elegant but provocative album about shame, desire and morality, seen through the narrative prism of greek mythology. In each of the album’s songs we meet a different god. On Exist For Love, it’s Aphrodite; We also meet Persephone, queen of the damned (on Heathens), Morpheus (This Could Be A Dream) and Peitho, the personification of seduction and persuasion (A Dangerous Thing). “The Greeks had gods and goddesses for everything,” Aurora notes. “For anxiety, for wine, for sex… Long ago when this concept of gods and goddesses started they were more human, more relatable, and almost touchable. Most importantly, they had flaws.”\u003c\/p\u003e\n","brand":"AURORA","offers":[{"title":"Default Title","offer_id":44942081491233,"sku":"3573908","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/image_of_3573908_765cbf71-d08d-437b-92ab-f5b67c0a3e03_1.webp?v=1771842967"},{"product_id":"motherland-journey-cd","title":"Motherland Journey CD","description":"\u003cp\u003eBlue Lab Beats have announced their hotly-anticipated new album Motherland Journey, also releasing the LP’s title track, featuring Ghanaian production talent Killbeatz and vocals from late Afrobeat icon Fela Kuti, out 10th December.\u003c\/p\u003e\n\n\u003cp\u003eCo-written in Accra, Ghana with Ghanaian production talent KillBeatz during a late night production session, ‘Motherland Journey’ is the title track of the anticipated forthcoming LP, and might just be Blue Lab Beats’ most ambitious single release yet, with the vocals of none other than that of Fela Kuti taking centre stage - and the estate of the musical pioneer giving BLB their full blessing to release the song. The vocals are taken from Fela’s ‘Everything Scatter’, while the single represents the first time the duo have really honed in on incorporating their jazz sound and merging it with sounds from the motherland, including amapiano. The release coincides with Blue Lab Beats’ Grammy nomination for their work on the Angelique Kidjo album Mother Nature.\u003c\/p\u003e\n\n\u003cp\u003eAn album that has quite literally been years in the making, Motherland Journey is the result of tireless days in the studio - a celebration of pushing boundaries, taking risks and overcoming adversity. Out on 25th February, it will feature recent singles ‘Labels’ featuring Tiana Major9 and Kofi Stone, ‘Dat It’ featuring Kiefer, ‘Sensual Loving’ featuring Ghetto Boy and ‘Blow You Away (Delilah)’.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Sky Reflections (Intro)     \u003cbr\u003e\n2    Labels Feat. 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In the case of Invasion, with its multiple interlocking storylines and broad emotional canvas, I needed to invent several musical worlds, and this meant multiple toolkits. I used the orchestra in its traditional setup, but also subverted electronically, I used a variety of different vintage synthesisers and processing tools, as well as solo piano and cello as my main colours. The multidimensionality of Invasion is reflected in the eclecticism of the score, which ranges from a directly emotional approach to thunderous and completely abstract brutalism, echoing the psychological dynamics of the show.”  – Max Richter\u003c\/p\u003e\n","brand":"Max Richter","offers":[{"title":"Default Title","offer_id":44942584709409,"sku":"3898449","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/image_of_3898449.png?v=1745965507"},{"product_id":"a-symphonic-celebration-cd","title":"A Symphonic Celebration: CD","description":"\u003cp\u003eDeutsche Grammophon is delighted to announce the signing of an exclusive agreement with Joe Hisaishi, the revered Japanese composer whose work has become synonymous with the magical Studio Ghibli animations of director Hayao Miyazaki such as \u003cem\u003eSpirited Away\u003c\/em\u003e, \u003cem\u003ePrincess Mononoke\u003c\/em\u003e and \u003cem\u003eMy Neighbor Totoro\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eHisaishi’s first album on DG, \u003cem\u003eA Symphonic Celebration\u003c\/em\u003e, turns the spotlight on his Studio Ghibli hits. \u003c\/p\u003e\n\n\u003cp\u003eRecorded in London by the Royal Philharmonic Orchestra, conducted by the composer, its tracks are newly arranged by Hisaishi for symphony orchestra.\u003c\/p\u003e\n\n\u003cp\u003eThe album includes additional high profile classical collaborators, including The Royal Philharmonic Orchestra, Bach Choir, Avi Avital and Grace Davidsen.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\n1. 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The collection of 13 songs, recorded over three days at Sorcerer Sound in Soho was engineered by Jay Newland who had worked on Etta James’ Billie Holiday tribute record ‘Mystery Girl’. The band: the same as that she had been gigging with—Jesse Harris on guitar, Lee Alexander on bass, and Dan Reiser on drums. Adam Rogers and Tony Scherr played guitar on a few additional songs and tabla player Vikram Gosh joined for one cut on the demo. Lundvall signed Norah as a Blue Note artist off the back of the thirteen tracks submitted.\u003c\/p\u003e\n\n\u003cp\u003ePrior to cutting the album, the best of these demos were released as a limited-edition promotional EP, titled First Sessions. Norah and band started to play fewer and fewer straight jazz gigs turning their focus to original music while mixing in the covers and standards. Cassandra Wilson’s New Moon Daughter had been a favourite album of Norah’s and was a big inspiration for the kind of record she wanted to make so she asked Lundvall if she could work with producer Craig Street. Street agreed and they headed to Allaire Studios in upstate NY. Street brought in Bill Frisell and Kevin Breit on guitars, Brian Blade and Kenny Wollesen on drums, and Rob Burger on accordion and organ. Lee Alexander stayed on the bass, and Husky Höskulds, who had a love for vintage equipment and a knack for capturing a vibe on tape, recorded everything. Most of the songs from the demos were re-recorded as Norah explored where else she could take them while some new originals and a few covers were also tracked.\u003c\/p\u003e\n\n\u003cp\u003eThe label latterly rejected the 19 songs as being too far removed from what had made the demos so special and Lundvall suggested that Norah return to Sorcerer Sound Studios with legendary producer, Arif Mardin, who had worked with Aretha Franklin and Donny Hathaway among others. Mardin and Jones chose the best of the demos and the Craig Street sessions—'Don’t Know Why’ and ‘Turn Me On’ from the demo sessions and ‘The Long Day Is Over,’ ‘Feeling The Same Way,’ and ‘Seven Years’ from the Allaire sessions, all with a few new overdubs and new mixes—and recorded nine additional songs in the same spirit of the demos, with the original trio of Harris, Alexander and Reisler, plus Brian Blade back on drums, Adam Levy on guitar, and Jenny Scheinman on violin.\u003c\/p\u003e\n\n\u003cp\u003eUltimately, all three sessions played a unique part in making the record what it ended up being: An eight-time Grammy Award®-winning album that Rolling Stone described as ‘One of the best debut albums of all time,’ that has gone on to sell close to 30 million units to date. ‘In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. 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In the spring of 2000 she came to the attention of Bruce Lundvall, the head of Blue Note Records. Impressed by her grasp of the standards and her originality, Lundvall offered her a demo deal with the option for the label to extend this to a full album deal. Norah mixed up the record with a focus on originals she and her band had written rounded out with a few jazz standards she loved. The collection of 13 songs, recorded over three days at Sorcerer Sound in Soho was engineered by Jay Newland who had worked on Etta James’ Billie Holiday tribute record ‘Mystery Girl’. The band: the same as that she had been gigging with—Jesse Harris on guitar, Lee Alexander on bass, and Dan Reiser on drums. Adam Rogers and Tony Scherr played guitar on a few additional songs and tabla player Vikram Gosh joined for one cut on the demo. 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Mardin and Jones chose the best of the demos and the Craig Street sessions—'Don’t Know Why’ and ‘Turn Me On’ from the demo sessions and ‘The Long Day Is Over,’ ‘Feeling The Same Way,’ and ‘Seven Years’ from the Allaire sessions, all with a few new overdubs and new mixes—and recorded nine additional songs in the same spirit of the demos, with the original trio of Harris, Alexander and Reisler, plus Brian Blade back on drums, Adam Levy on guitar, and Jenny Scheinman on violin.\u003c\/p\u003e\n\n\u003cp\u003eUltimately, all three sessions played a unique part in making the record what it ended up being: An eight-time Grammy Award®-winning album that Rolling Stone described as ‘One of the best debut albums of all time,’ that has gone on to sell close to 30 million units to date. ‘In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. I’m forever grateful to Bruce and the very special team at Blue Note for giving me the chance to find my sound through all of it and for never telling me who I had to be.\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003enew remastering of the eight-time Grammy®-winning album by Ted Jensen at Sterling Sound, engineer on the original album\u003c\/li\u003e\n\t\u003cli\u003e11 unreleased demos (including Norah’s home-made demos, and the demos cut for Blue Note\u003c\/li\u003e\n\t\u003cli\u003e6 rare tracks only previously released on the promo-only First Sessions EP\u003c\/li\u003e\n\t\u003cli\u003e13 tracks from the Allaire Sessions—the original version of the album, produced by Craig Street, which was never released—including 11 previously unreleased tracks (9 alternate versions\/mixes alternate versions), all now newly-mixed by Tony Maserati\u003c\/li\u003e\n\t\u003cli\u003enew liner notes by Norah Jones\u003c\/li\u003e\n\t\u003cli\u003erare session photos \u0026amp; detailed track annotations\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eCD 1 | Come Away With Me - 20th Anniversary Remaster\u003c\/strong\u003e\u003cbr\u003e\n1    Don’t Know Why     \u003cbr\u003e\n2    Seven Years     \u003cbr\u003e\n3    Cold Cold Heart     \u003cbr\u003e\n4    Feelin’ The Same Way     \u003cbr\u003e\n5    Come Away With Me     \u003cbr\u003e\n6    Shoot The Moon     \u003cbr\u003e\n7    Turn Me On     \u003cbr\u003e\n8    Lonestar     \u003cbr\u003e\n9    I’ve Got To See You Again     \u003cbr\u003e\n10    Painter Song     \u003cbr\u003e\n11    One Flight Down     \u003cbr\u003e\n12    Nightingale     \u003cbr\u003e\n13    The Long Day Is Over     \u003cbr\u003e\n14    The Nearness Of You \u003cbr\u003e\n    \u003cbr\u003e\n\u003cstrong\u003eCD 2 | The Demos \/ First Sessions Outtakes \/ First Sessions EP\u003c\/strong\u003e\u003cbr\u003e\n1    Spring Can Really Hang You Up the Most     \u003cbr\u003e\n2    Walkin’ My Baby Back Home     \u003cbr\u003e\n3    World of Trouble     \u003cbr\u003e\n4    The Only Time     \u003cbr\u003e\n5    I Didn’t Know About You     \u003cbr\u003e\n6    Something Is Calling You tabla version     \u003cbr\u003e\n7    Just Like A Dream Today     \u003cbr\u003e\n8    When Sunny Gets Blue     \u003cbr\u003e\n9    What Am I To You     \u003cbr\u003e\n10    Hallelujah I Love Him So     \u003cbr\u003e\n11    Daydream     \u003cbr\u003e\n12    Don’t Know Why     \u003cbr\u003e\n13    Come Away With Me     \u003cbr\u003e\n14    Something Is Calling You     \u003cbr\u003e\n15    Turn Me On     \u003cbr\u003e\n16    Lonestar     \u003cbr\u003e\n17    Peace\u003cbr\u003e\n     \u003cbr\u003e\n\u003cstrong\u003eCD 3 | The Allaire Sessions\u003c\/strong\u003e\u003cbr\u003e\n1    I’ll Be Your Baby Tonight     \u003cbr\u003e\n2    I’ve Got To See You Again     \u003cbr\u003e\n3    What Would I Do     \u003cbr\u003e\n4    Come Away With Me     \u003cbr\u003e\n5    Picture In A Frame     \u003cbr\u003e\n6    Nightingale     \u003cbr\u003e\n7    Peace     \u003cbr\u003e\n8    What Am I To You     \u003cbr\u003e\n9    Painter Song     \u003cbr\u003e\n10    Turn Me On     \u003cbr\u003e\n11    A Little At A Time     \u003cbr\u003e\n12    One Flight Down     \u003cbr\u003e\n13    Fragile\u003c\/p\u003e\n","brand":"Norah Jones","offers":[{"title":"Default Title","offer_id":44948216217889,"sku":"4507772","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/SharedImage-131815_copy.webp?v=1785170771"},{"product_id":"blue-note-re-imagined-ii-cd","title":"Blue Note Re:imagined II CD","description":"\u003cp\u003eBlue Note Re:imagined will return in 2022 with a new 16-track compilation featuring fresh takes on music from the illustrious Blue Note vaults recorded by a heavyweight line-up of the UK jazz, soul and R\u0026amp;B scene’s most hotly-tipped rising stars. Arriving off the back of the widespread international success of the first volume, which topped jazz charts around the globe, Blue Note Re:imagined II once again infuses the spirit of the new UK jazz generation into the legendary label’s iconic catalogue, balancing the genre’s tradition with its future and reflecting the melting pot of talent and diversity within the current scene.\u003c\/p\u003e\n\n\u003cp\u003eAdditional tracks on the album will include funk-pop duo Franc Moody’s version of Donald Byrd’s Cristo Redentor, fast-emerging vocalist Cherise’s take on Norah Jones Sunrise, Maya Delilah covering Neil Young’s Harvest Moon, which was recorded by Cassandra Wilson on her 1995 Blue Note album Blue Moon Daughter, Birmingham-born pianist Reuben James’ reimagining of Wayne Shorter’s ballad Infant Eyes, London tuba player and Sons of Kemet member Theon Cross with a version of the Thelonious Monk\/Kenny Clarke composition Epistrophy, and 9-piece afro-jazz outfit Nubiyan Twist’s fresh spin on Donald Byrd’s Through The Noise (Chant 2).\u003c\/p\u003e\n\n\u003cp\u003eBlue Note is celebrated almost as much for its visionary album art as for its legendary recordings. 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It features the likes of Thundercat, whose deadpan funk is their closest antecedent, Herbie Hancock, Snoop Dogg, Busta Rhymes, Mac DeMarco, Kurt Rosenwinkel, and .Paak himself.\u003c\/p\u003e\n\n\u003cp\u003eTheir music finds both humor and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges. They offer winking breaks and gleeful pivots, but the album is more composed than anything they’ve done before, toying with pop structures and pretty restraint. That befits their origin story. The duo first played together in a room full of blaring demos at a trade show, but they bonded over gauche keyboard FX and mom jokes. Over the next year and a half, they wrote and recorded much of the album at JD’s house in Dallas on drums and a 49-key MIDI board with just a few mics. 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Scores from an array of film genres where the Maestro managed to create his unique and unmistakable style, blending avant-garde with the finest pop-psych attitude. A true treasure trove of rare and forgotten pieces and alternate takes from the historical archives of CAM Sugar. Highlights include extracts for 'Lui Per Lei', 'Stark System' and 'Il Clan Dei Siciliani'.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Vie-ni (Alt. Take) [from 'Quando L'amore E Sensualita', 1973]\u003cbr\u003e2. Fantasmi Grotteschi (Edit) [from 'Stark System', 1980]\u003cbr\u003e3. Vita E Malavita (From 'Storie Di Vita E Malavita', 1975)\u003cbr\u003e4. Tette E Antenne, Tetti E Gonne (From 'La Smagliatura', 1975)\u003cbr\u003e5. Patrizia (Alt. Take - Con Voci) [from 'Incontro', 1971]\u003cbr\u003e6. Per Dalila (From 'Il Bandito Dagli Occhi Azzurri', 1980)\u003cbr\u003e7. 18 Pari (From 'Un Uomo Da Rispettare', 1972)\u003cbr\u003e8. 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