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Prélude No.25 in C sharp minor, Op.45; Four Scherzi; Barcarolle in F sharp, Op.60     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD7 PROKOFIEV:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonata No.7 in B flat major, op.83; 2 Pieces for piano from “Romeo and Juliet”, op.75 (arr. Prokofiev); Piano Sonata No.8 in B flat major, op.84     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD8 FRANCK:\u003c\/strong\u003e\u003cbr\u003e1. Sonata for violin and piano in A major ∙ BRAHMS: Horn Trio in E flat major, op.40     \u003cbr\u003e2. Itzhak Perlman, Barry Tuckwell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD9 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Suites for Two Pianos No.1, Op.5 \u0026amp; No.2’ Op.17     \u003cbr\u003e2. André Previn     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD10 SCHUMANN:\u003c\/strong\u003e\u003cbr\u003e1. Kreisleriana, op.16; Humoreske, op.20     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD11 SCRIABIN:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonatas Nos.3, 4, 5 \u0026amp; 9     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD12 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Corelli Variations, Op.42; 9 Études-tableaux, op.39     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD13 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Preludes Op.3, No.2; Op.23 \u0026amp; Op.32     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD14 SCHUBERT:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonata No.17, D.850; Four Dances, D.366     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD15-19 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Songs [Volumes 1-5]     \u003cbr\u003e2. Elisabeth Söderström     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD20 RACHMANINOV: SYMPHONIC DANCES, OP.45; RUSSIAN RHAPSODY FOR TWO PIANOS\u003c\/strong\u003e\u003cbr\u003e1. André Previn     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD21 SCRIABIN:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonatas Nos. 2, 7 \u0026amp; 10; Quatre Morceaux, Op.56     \u003cbr\u003e2. London Symphony Orchestra, Segal     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD22 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonata No.2; Etudes-Tableaux, Op.33     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD23-24 TCHAIKOVSKY:\u003c\/strong\u003e\u003cbr\u003e1. Songs [Volumes 1-2]     \u003cbr\u003e2. Elisabeth Söderström     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD25 BRAHMS:\u003c\/strong\u003e\u003cbr\u003e1. Cello Sonatas Nos. 1 \u0026amp; 2     \u003cbr\u003e2. Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD26 MUSSORGSKY:\u003c\/strong\u003e\u003cbr\u003e1. Pictures at an Exhibition (original piano version) ∙ TANEYEV: Prelude and Fugue in G sharp minor, op.29 ∙ LIADOV: A Musical Snuffbox, op.32 ∙ BORODIN: Scherzo in A flat ∙ TCHAIKOVSKY: Dumka, op.59     \u003cbr\u003e2. First international CD release of complete programme     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD27 RAVEL:\u003c\/strong\u003e\u003cbr\u003e1. Gaspard de la nuit; Pavane pour une infante défunte; Valses nobles et sentimentales     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD28 SHOSTAKOVICH:\u003c\/strong\u003e\u003cbr\u003e1. Two Pieces for String Quartet; Seven Romances on Poems of Alexander Blok, Op.127; Piano Quintet. Op.57     \u003cbr\u003e2. Fitzwilliam Quartet, Elisabeth Söderström     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD29 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Sonata for Cello and Piano in G minor, Op.19; 2 Pieces, op.2; Melodie On A Theme By Rachmaninov; Lied in F Minor; Vocalise, Op.34, No.14 (Arr. for Cello)     \u003cbr\u003e2. Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD30 SCRIABIN:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonatas Nos. 1, 6 \u0026amp; 8; Quatre morceaux, op.51     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD31-32 BEETHOVEN:\u003c\/strong\u003e\u003cbr\u003e1. Cello Sonatas 1-5     \u003cbr\u003e2. Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD33 SHOSTAKOVICH:\u003c\/strong\u003e\u003cbr\u003e1. Cello Sonata in D minor, op.40; Moderato for cello and piano, op.40a ∙ PROKOFIEV: Cello Sonata in C major, op.119     \u003cbr\u003e2. Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD34 BRAHMS:\u003c\/strong\u003e\u003cbr\u003e1. Horn Trio in E flat major, op.40 ∙ SCHUMANN Andante \u0026amp; Variations in B flat major, op.46; Adagio and Allegro in A flat major, op.70     \u003cbr\u003e2. Radovan Vlatkovic, Georg Donderer, Mathias Donderer, Vovka Ashkenazy     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD35 BRAHMS:\u003c\/strong\u003e\u003cbr\u003e1. Handel Variations; Piano Sonata No.3     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD36 CHOPIN:\u003c\/strong\u003e\u003cbr\u003e1. 24 Preludes, Op.28; Piano Sonata No.3     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD37 SCHUMANN:\u003c\/strong\u003e\u003cbr\u003e1. Fantasie in C, Op.17; Faschingsschwank aus Wien, Op.26     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD38 RAVEL:\u003c\/strong\u003e\u003cbr\u003e1. Trio pour piano, violon et violoncelle ∙ DEBUSSY: Sonata in G Minor for Violin \u0026amp; Piano, L. 140; Sonata in D Minor for Cello \u0026amp; Piano, L.135     \u003cbr\u003e2. Itzhak Perlman, Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD39 PROKOFIEV:\u003c\/strong\u003e\u003cbr\u003e1. 10 Pieces for piano from “Romeo and Juliet”, op.75 (arr. Prokofiev); Waltz, op.96 no.1; 2 Pieces from The Love of Three Oranges, op.33b; 6 Pieces from \"Cinderella”, op.102 (arr. Prokofiev)     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD40 PROKOFIEV:\u003c\/strong\u003e\u003cbr\u003e1. Sonatas Nos. 6-8     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD41 MOZART:\u003c\/strong\u003e\u003cbr\u003e1. Fantasia in C minor, K475; Sonatas Nos. 17, 14, \u0026amp; 9 (K570, K457, K311); Adagio in B minor, K540     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD42 ROBERT \u0026amp; CLARA SCHUMANN: LIEDER\u003c\/strong\u003e\u003cbr\u003e1. Barbara Bonney     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD43-44 SCHUBERT:\u003c\/strong\u003e\u003cbr\u003e1. Piano Trios Nos. 1 \u0026amp; 2 (Op. 99 \u0026amp; 100)     \u003cbr\u003e2. Pinchas Zukerman, Lynn Harrell     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD45-46 SHOSTAKOVICH:\u003c\/strong\u003e\u003cbr\u003e1. 24 Preludes \u0026amp; Fugues     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD47 TCHAIKOVSKY:\u003c\/strong\u003e\u003cbr\u003e1. Méditation, Op.72 No.5; Polka peu dansante, Op.51 No.2; Aveu passioné Tendres Reproches, Op.72 No.3; Berceuse, Op.72 No.2; The Seasons, Op.32a     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD48 SHOSTAKOVICH:\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonata No.2; Three Fantastic Dances; Five Preludes; Lyric Waltz; Short Piece; Spanish Dance; Nocturne; Aphorisms     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD49-51 J. S. BACH:\u003c\/strong\u003e\u003cbr\u003e1. 48 Preludes \u0026amp; Fugues     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD52 BEETHOVEN:\u003c\/strong\u003e\u003cbr\u003e1. Diabelli Variations     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD53 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Piano Transcriptions     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD54 RACHMANINOV:\u003c\/strong\u003e\u003cbr\u003e1. Piano Trios Nos.1 \u0026amp; 2; Vocalise, op.34 no.14; Dream (Son), op.38 no.5     \u003cbr\u003e2. Zsolt-Tihamér Visontay, Mats Lindström     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD55 BLAKE:\u003c\/strong\u003e\u003cbr\u003e1. Walking in the air; Dances for 2 pianos, op.217a; Sonata for 2 pianos, op.130     \u003cbr\u003e2. Vovka Ashkenazy     \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eCD56 SHOSTAKOVICH:\u003c\/strong\u003e\u003cbr\u003e1. Piano Trios Nos. 1 \u0026amp; 2; Viola Sonata     \u003cbr\u003e2. 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Includes no less than four Grammy Award winning albums.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumbered limited edition 6 LP set\u003c\/strong\u003e presented in a deluxe two-piece slipcase with silver foiled design with each album presented in its original artwork\u003c\/li\u003e\n\u003cli\u003e38-page perfect-bound LP-sized book includes four noteworthy aspects in addition to full tracklists and recording information:\u003col\u003e\n\u003cli\u003ephotographs from the recording sessions;\u003c\/li\u003e\n\u003cli\u003ea foreword by Lady Solti,\u003c\/li\u003e\n\u003cli\u003ea detailed Retrospective by CSO Archivist Frank Villella\u003c\/li\u003e\n\u003cli\u003ean excerpt from “Chicago” taken from Solti’s Memoirs “Solti on Solti”\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSir Georg Solti was one of the twentieth century’s most brilliant conductors and a leading figure of musical culture in Europe and the US. He studied piano, composition and conducting with Bartók, Dohnányi, Kodály and Weiner, made his concert debut as a pianist, and in 1937, Toscanini selected him as his assistant at the Salzburg Festival. He made his first recordings for Decca in 1947 and continued as an exclusive Decca artist for over half a century leaving a vast legacy of over 250 great recordings – including 45 complete operas.\u003c\/p\u003e\u003cp\u003eSolti’s remarkable partnership with the CSO began in 1954, when Solti first led the Orchestra at the Ravinia Festival. He returned to Chicago for guest engagements with the Lyric Opera in 1956, made his Chicago Orchestra Hall debut on December 9, 1965, and his first concerts as Music Director were in September 1969. Solti served as Music Director for 22 years (1969-1991) and Music Director Laureate for a further 7 years until his passing (1991-1997) and is credited with greatly extending and building the Orchestra's reputation worldwide – starting in 1971 with its first foreign tour.\u003c\/p\u003e","brand":"Chicago Symphony Orchestra, Sir Georg Solti","offers":[{"title":"Default Title","offer_id":44974104936737,"sku":"4832299","price":104.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/products\/SharedImage-83871_20copy.webp?v=1698234243"},{"product_id":"la-nilsson-the-complete-decca-deutsche-grammophon-philips-recordings","title":"La Nilsson - The Complete Decca · Deutsche Grammophon · Philips Recordings","description":"\u003cul\u003e\n\u003cli\u003eLimited Edition 79-CD + 2-DVD covering all the major roles Nilsson performed – 27 full-length operas including 2 full Wagner ‘Ring’ cycles.\u003c\/li\u003e\n\u003cli\u003eBirgit Nilsson’s complete Decca, Philips and Deutsche Grammophon recordings marking her 100th birthday and produced with the full support of the Birgit Nilsson Foundation\u003c\/li\u003e\n\u003cli\u003eHandsome packaging includes CDs presented in wallets with a spine and with original sleeve art encased in an anti-scratch rigid box with magnetic-hinged lid.\u003c\/li\u003e\n\u003cli\u003eBeyond the operas recorded for Decca, Philips and DG include 4 operas recorded for EMI (now Warner Classics): Aida, La Fanciulla del West, Turandot and Der Freischütz; as well as her earlier 1959 Turandot under Leinsdorf for RCA.\u003c\/li\u003e\n\u003cli\u003e200-page perfect bound book, in English and German, including:\u003c\/li\u003e\n\u003cli\u003eNew essay – “Apotheosis Achieved” by Raymond McGill\u003c\/li\u003e\n\u003cli\u003eA note by Decca producer Christopher Raeburn\u003c\/li\u003e\n\u003cli\u003eMany unseen photographs from the Decca archive\u003c\/li\u003e\n\u003cli\u003eRecording Index\u003c\/li\u003e\n\u003cli\u003eComposer\/Work Index\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003e\u003cu\u003eHIGHLIGHTS\u003c\/u\u003e\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003e27 COMPLETE OPERAS, including:\u003c\/li\u003e\n\u003cli\u003eTWO COMPLETE RING CYCLES* – Böhm\/Solti NEWLY REMASTERED FOR THE CENTENARY *Nilsson not in Rheingold\u003c\/li\u003e\n\u003cli\u003eTRISTAN UND ISOLDE with Solti – REMASTERED including the rehearsals PLUS the Bayreuth\/Bohm recording from Deutsche Grammophon\u003c\/li\u003e\n\u003cli\u003eStrauss SALOME AND ELEKTRA – REMASTERED\u003c\/li\u003e\n\u003cli\u003eVerdi MACBETH and Beethoven FIDELIO\u003c\/li\u003e\n\u003cli\u003eTwo TURANDOT recordings – with Leinsdorf and Molinari-Pradelli\u003c\/li\u003e\n\u003cli\u003eAIDA, LA FANCIULLA DEL WEST and FREISCHUTZ – with Heger\u003c\/li\u003e\n\u003cli\u003eDecca Operatic Recitals (Verdi, Beethoven, Weber and Wagner) and “Swedish Songs in Land of the Midnight Sun”\u003c\/li\u003e\n\u003cli\u003eDVDs of the MET production of ELEKTRA, and the GOLDEN RING documentary of the making of the Solti Ring\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Birgit Nilsson","offers":[{"title":"Default Title","offer_id":44974299644193,"sku":"4832787","price":130.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/products\/SharedImage-119325_960563e2-21f0-4f15-9b4f-e24517fe20f1.webp?v=1697217844"},{"product_id":"eduard-van-beinum-complete-recordings-on-decca-philips","title":"Eduard Van Beinum: Complete Recordings on Decca \u0026 Philips","description":"\u003cp\u003eThe eminent Dutch conductor Eduard van Beinum described his relationship with orchestral musicians as ‘first among equals’. He said of his work ‘One must certainly not by tyrannical. A conductor must immerse himself in the possibilities of each and every orchestra member and bring everything out of them.’ It was a huge shock, when during a rehearsal of Brahms’ First Symphony on 13 April 1959, van Beinum suffered a fatal heart attack on the podium in the Concertgebouw at the age of just 58. His qualities as a musician had perhaps not been fully appreciated during his lifetime, but after his death, his recordings allow us to re-evaluate his impeccable musical intuition, his good taste and the spontaneity of his music-making. Collected here in one edition that predominately features the two orchestras he was Principal Conductor of — the Concertgebouworkest \u0026amp; London Philharmonic Orchestra — are the complete recordings he made for both Decca and Philips.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHighlights include:\u003c\/strong\u003e\u003cbr\u003e\n- A sparkling interpretation of Beethoven’s ballet music to The Creature of Prometheus with the LPO\u003cbr\u003e\n- Brahms’ Symphony cycle recorded with the Concertgebouworkest – a radically modern approach for the time they were made\u003cbr\u003e\n- Lauded recordings of Ravel’s Rapsodie espagnole (1946) ‘Without question, this is the best recording we have had of this pungently evocative work.’ — Gramophone; Boléro and La Valse and Debussy’s La Mer, Stravinsky’s Le Sacre du Printemps (1946) ‘A truly brilliant recording, bringing out more of the score than I should have thought possible’ — Gramophone\u003cbr\u003e\n- Berlioz’ Symphonie fantastique (one of his most celebrated recordings full of incisive precision and spontaneous explosive abandon)\u003cbr\u003e\n- Reference recordings of Bruckner’s 7, 8 \u0026amp; 9th Symphonies – “Bruckner is my bread and butter” said Van Beinum\u003cbr\u003e\n- Diapason d’Or award-winning recordings of Mendelssohn’s Symphony No.4 \u0026amp; A Midsummer Night’s Dream (CO) \u0026amp; Hebrides Overture (LPO)\u003cbr\u003e\n- A series of 78rpm recordings made for ‘Dutch Decca’, Telefunken \u0026amp; Deutsche Grammophon, including many works van Beinum never recorded commercially, such as Richard Strauss’s Don Juan and Smetana’s Vltava – all released for the first time in nearly 70 years, in new hi-res transfers made especially for this collection\u003cbr\u003e\n- Bonus Audio documentary feature produced by Jon Tolansky, with commentary by a number of musicians who worked with Eduard van Beinum\u003cbr\u003e\n- 102pp book (English\/Dutch\/French\/German) with essays by music historian Niek Nelissen and Jon Tolansky\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTRACKS:\u003cbr\u003e\nCD 1\u003c\/strong\u003e\u003cbr\u003e\n1    J.S. Bach: Orchestral Suites Nos.1–4 Concertgebouworkest     \u003cbr\u003e\n\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e\n1    Clark: Trumpet Voluntary ∙ Handel: Music for the Royal Fireworks Suite; Water Music Suite London Philharmonic Orchestra     \u003cbr\u003e\n2    J.C. Bach: Symphonies Nos.2 \u0026amp; 4, Op.18 CO     \u003cbr\u003e\n\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr\u003e\n1    Handel: Water Music CO     \u003cbr\u003e\n\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr\u003e\n1    Mozart: Concerto for Flute \u0026amp; Harp Hubert Barwahser, Phia Berghout; Symphonies Nos.29 \u0026amp; 33 CO     \u003cbr\u003e\n\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr\u003e\n1    Mozart: Symphony No.35 ‘Haffner’; Piano Concerto No.24 Kathleen Long, LPO     \u003cbr\u003e\n2    Mozart: Clarinet Concerto Bram de Wilde, CO     \u003cbr\u003e\n\u003cstrong\u003eCD 6\u003c\/strong\u003e\u003cbr\u003e\n1    Mozart: Serenade in D, K.320 ‘Posthorn’     \u003cbr\u003e\n2    Reger: Variations \u0026amp; Fugue on a theme by Mozart CO     \u003cbr\u003e\n\u003cstrong\u003eCD 7\u003c\/strong\u003e\u003cbr\u003e\n1    Haydn: Symphonies Nos.94, 96 (1952 rec.) \u0026amp; 97 CO     \u003cbr\u003e\n\u003cstrong\u003eCD 8\u003c\/strong\u003e\u003cbr\u003e\n1    Haydn: Symphony No.96 (1947 rec.) CO     \u003cbr\u003e\n2    Haydn: Symphony No.100 ∙ Beethoven: The Creatures of Prometheus LPO     \u003cbr\u003e\n\u003cstrong\u003eCD 9\u003c\/strong\u003e\u003cbr\u003e\n1    Beethoven: Overtures LPO     \u003cbr\u003e\n\u003cstrong\u003eCD 10\u003c\/strong\u003e\u003cbr\u003e\n1    Beethoven: Violin Concerto, Op.61 Arthur Grumiaux; Symphony No.2 CO     \u003cbr\u003e\n\u003cstrong\u003eCD 11\u003c\/strong\u003e\u003cbr\u003e\n1    Schubert: Symphonies Nos.4 \u0026amp; 5; Rosamunde CO     \u003cbr\u003e\n\u003cstrong\u003eCD 12\u003c\/strong\u003e\u003cbr\u003e\n1    Schubert Symphonies Nos.3, 6 \u0026amp; 8 ‘Unfinished’ CO     \u003cbr\u003e\n\u003cstrong\u003eCD 13\u003c\/strong\u003e\u003cbr\u003e\n1    Mendelssohn: The Hebrides Overture; Violin Concerto Alfredo Campoli, LPO     \u003cbr\u003e\n2    Mendelssohn: A Midsummer Night's Dream (1946 rec.)     \u003cbr\u003e\n3    Beethoven: Leonore Overture No.2 ∙ Rossini: Overture to La scala di seta CO     \u003cbr\u003e\n\u003cstrong\u003eCD 14\u003c\/strong\u003e\u003cbr\u003e\n1    Mendelssohn: A Midsummer Night's Dream (1952 rec.); Symphony No.4 ∙ Rossini: Overtures CO     \u003cbr\u003e\n\u003cstrong\u003eCD 15\u003c\/strong\u003e\u003cbr\u003e\n1    Berlioz: Symphonie fantastique (1946 rec.);     \u003cbr\u003e\n2    La Damnation de Faust (excerpts: 1946 rec.);     \u003cbr\u003e\n3    Marche troyenne; Le Carnaval Romain Ouverture (1956 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 16\u003c\/strong\u003e\u003cbr\u003e\n1    Berlioz: Symphonie fantastique (1951 rec.);     \u003cbr\u003e\n2    Le Carnaval Romain Ouverture (1951 rec.);     \u003cbr\u003e\n3    La Damnation de Faust (excerpts: 1947 rec.)     \u003cbr\u003e\n4    Brahms: St Anthony Variations (1952 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 17\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Symphony No.1 (1947 rec.); St Anthony Variations (1949 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 18\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Symphony No.1 (1951 rec.) CO     \u003cbr\u003e\n2    Brahms: Symphony No.3 (1946 rec.) LPO     \u003cbr\u003e\n\u003cstrong\u003eCD 19\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Symphonies Nos.2 \u0026amp; 4 CO     \u003cbr\u003e\n\u003cstrong\u003eCD 20\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Symphonies Nos.1 (1958 rec.) \u0026amp; 3 (1958 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 21\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Piano Concerto No.1 Clifford Curzon; Tragic Overture (1952 rec.);     \u003cbr\u003e\n2    Academic Festival Overture (1952 rec.); Alto Rhapsody CO     \u003cbr\u003e\n\u003cstrong\u003eCD 22\u003c\/strong\u003e\u003cbr\u003e\n1    Brahms: Violin Concerto Arthur Grumiaux; St Anthony Variations (1958 rec.);     \u003cbr\u003e\n2    Tragic Overture (1958 rec.);     \u003cbr\u003e\n3    Academic Festival Overture (1958 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 23\u003c\/strong\u003e\u003cbr\u003e\n1    Bruckner: Symphony No.5 in B flat CO     \u003cbr\u003e\n\u003cstrong\u003eCD 24\u003c\/strong\u003e\u003cbr\u003e\n1    Bruckner: Symphony No.7 in E (1947 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 25\u003c\/strong\u003e\u003cbr\u003e\n1    Bruckner: Symphony No.7 in E (1953 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 26\u003c\/strong\u003e\u003cbr\u003e\n1    Bruckner: Symphony No.8 in C minor CO     \u003cbr\u003e\n\u003cstrong\u003eCD 27\u003c\/strong\u003e\u003cbr\u003e\n1    Bruckner: Symphony No.9 in D minor CO     \u003cbr\u003e\n\u003cstrong\u003eCD 28\u003c\/strong\u003e\u003cbr\u003e\n1    Mahler: Symphony No.4 in G CO     \u003cbr\u003e\n2    Mahler: Lieder eines fahrenden Gessellen (1946 rec.) LPO     \u003cbr\u003e\n\u003cstrong\u003eCD 29\u003c\/strong\u003e\u003cbr\u003e\n1    Mahler: Das Lied von der Erde; Lieder Eines fahrenden Gesellen (1956 rec.) CO     \u003cbr\u003e\n\u003cstrong\u003eCD 30\u003c\/strong\u003e\u003cbr\u003e\n1    Lalo: Symphonie espagnole Alfredo Campoli, LPO     \u003cbr\u003e\n2    Tchaikovsky: Serenade for Strings; Andante cantabile for cello \u0026amp; strings; Nutcracker Suite CO     \u003cbr\u003e\n3    Tchaikovsky: Romeo \u0026amp; Juliet Overture–Fantasia     \u003cbr\u003e\n\u003cstrong\u003eCD 31\u003c\/strong\u003e\u003cbr\u003e\n1    Rimsky-Korsakov: Scheherazade CO     \u003cbr\u003e\n2    Borodin: Polovtsian Dances ∙ Bizet: L’Arlésienne Suites (excerpts: 1950 rec.) 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She was a “purist” in the best sense of the word and has often said that she always sought to convey the essence of the music according to the language and style of the composer’s time. Her goal is that the listener should understand the structure and the message of the work, without anything to disrupt it. She has always been admired for the grace and shapeliness of her phrasing, her pellucid cantabile touch, her crystalline articulation, and the warmth, sensitivity, and quietly nuanced expressivity of her interpretations. With an imposing discography, Haebler was regarded by many as Philips’ “house pianist”. Decca now proudly presents her Complete Philips Recordings on 58CDs in tribute to this rare and special artist.\u003c\/p\u003e\u003cp\u003e• 58-disc original jackets collection, bringing together for the first time, the complete Philips recordings of Ingrid Haebler\u003c\/p\u003e\u003cp\u003e• Highlights include:\u003cbr\u003eo The international CD release of Haebler’s account of J.S. Bach’s French Suites\u003cbr\u003eo Mozart’s Complete Piano Concertos \u0026amp; Piano Sonatas, including the first-ever CD release of her 1953 recordings of Mozart’s Piano Sonatas Nos. 12 \u0026amp; 13\u003cbr\u003eo Chopin Waltzes\u003cbr\u003eo Schumann’s Papillons, Op.2\u003cbr\u003eo Franck’s Symphonic Variations\u003cbr\u003eo Complete Violin Sonatas of Mozart, Beethoven \u0026amp; Schubert with her duo partner Henryk Szeryng\u003cbr\u003eo J.C. Bach Concertos – recorded on her J.C. Neupert fortepiano\u003cbr\u003eo Schubert’s “Trout Quintet” with the Arthur Grumiaux Trio \u0026amp; Jacques Cazauran\u003cbr\u003eo 96pp booklet new liner notes from Jessica Duchen (E (attached) \/F\/G) + rare photographs from the archives\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003eCD1–2\u003c\/strong\u003e\u003cbr\u003e1. J.S. BACH French Suites     \u003cbr\u003e2. first international CD release     \u003cbr\u003e3. J.C. BACH     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD3\u003c\/strong\u003e\u003cbr\u003e1. Sonatas Op.5     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD4\u003c\/strong\u003e\u003cbr\u003e1. Sonatas Op.16 Kurt Redel, flute     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD5\u003c\/strong\u003e\u003cbr\u003e1. Sonatas for Flute, Op.19 Kurt Redel, flute     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD6\u003c\/strong\u003e\u003cbr\u003e1. Sonatas Op.17     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD7–10\u003c\/strong\u003e\u003cbr\u003e1. Clavier Concertos, Opp. 1, 7 \u0026amp; 13 Capella Academia, Wien\/Eduard Melkus     \u003cbr\u003e2. MOZART     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD11–15\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonatas     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD16\u003c\/strong\u003e\u003cbr\u003e1. Piano Sonata No.14; Minuets; Prelude and Fugue in C, K.394; Capriccio in C, K395, Fantasia in D minor, K.397; Rondo in A minor, K.511     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD17–18\u003c\/strong\u003e\u003cbr\u003e1. Variations; Duet Sonatas     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD19–20\u003c\/strong\u003e\u003cbr\u003e1. Duet Sonatas Ludwig Hoffmann piano     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD21–24\u003c\/strong\u003e\u003cbr\u003e1. Violin Sonatas Henryk Szeryng violin     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD25\u003c\/strong\u003e\u003cbr\u003e1. Piano Quartets Nos. 1 \u0026amp; 2     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD26\u003c\/strong\u003e\u003cbr\u003e1. MOZART \/ BEETHOVEN Quintets for Piano \u0026amp; Wind     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD27–38\u003c\/strong\u003e\u003cbr\u003e1. MOZART Piano Concertos various     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD39–40\u003c\/strong\u003e\u003cbr\u003e1. HAYDN Piano Sonatas H.XVI 20, 33, 35–39 \u0026amp; 52; Variations in F minor, Piano Concerto in D     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD41–44\u003c\/strong\u003e\u003cbr\u003e1. BEETHOVEN Violin Sonatas Henryk Szeryng violin     \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD45\u003c\/strong\u003e\u003cbr\u003e1. BEETHOVEN Piano Concertos Nos. 2 \u0026amp; 4 New Philharmonia Orchestra\/Alceo Galliera     \u003cbr\u003e2. 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He joined the hallowed choir of King’s College, Cambridge, at age 11 under Boris Ord, and would later take up the position of organ scholar at King’s as an undergraduate in 1958 under Sir David Willcocks. Willcocks was a huge influence, with his meticulous and rigorous approach to practice and insistence on perfection in performance which can be seen throughout Preston’s career.\u003c\/p\u003e\n\n\u003cp\u003eWhen he took his first post at Westminster Abbey, in 1962, he was said to be the youngest organist at the royal church since Henry Purcell, three centuries earlier. After a briefly covering for Peter Hurford as Master of the Music at St. Albans Cathedral in 1968, he took charge of the choir at Christ Church Cathedral in Oxford in 1970; he also lectured at the university. He brought out a fervent, firm tone and an impressive agility in the choir of Christ Church —just as he would when he later returned to Westminster Abbey, before concentrating on a career as an international concert and recording artist.\u003c\/p\u003e\n\n\u003cp\u003eWhen he arrived at Christ Church, Preston was very much the “new broom”. His intelligence and erudition as a scholar together with his innate superhuman energy re-vitalised the choir with a verve not often apparent in the genteel world of English cathedral music and it was not long before there was an ambition to make recordings, the first of which was of Walton’s music. With a judicious choice of repertory, the subsequent discs garnered excellent reviews and the cathedral choir began to be recognised as one of the finest collegiate choirs.\u003c\/p\u003e\n\n\u003cp\u003eTogether they set down acclaimed accounts — often with the period instrument specialists of the English Concert and the Academy of Ancient Music — of composers from Haydn back to Handel and Purcell, and beyond to Lassus and Palestrina. 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Philip Jones Ensemble     \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD8 - POULENC\u003c\/strong\u003e\u003cbr\u003e\n1. 4 Motets pour le temps de Noël     \u003cbr\u003e\n2. 4 Motets pour un temps de penitence     \u003cbr\u003e\n3. STRAVINSKY Mass     \u003cbr\u003e\n4. London Sinfonietta     \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD9 - WALTON\u003c\/strong\u003e\u003cbr\u003e\n1. A Litany     \u003cbr\u003e\n2. Jubilate Deo     \u003cbr\u003e\n3. Missa Brevis (1966)     \u003cbr\u003e\n4. The Twelve     \u003cbr\u003e\n5. Set Me As a Seal upon Thine Heart     \u003cbr\u003e\n6. Where Does the Uttered Music Go?     \u003cbr\u003e\n7. Make We Joy Now in This Fest     \u003cbr\u003e\n8. All This Time     \u003cbr\u003e\n9. What Cheer? - Giles · Hayward · Jones · Roy · Morton · Rowlinson · organ Darlington     \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD10 - BRAHMS\u003c\/strong\u003e\u003cbr\u003e\n1. Geistliches Lied     \u003cbr\u003e\n2. BRUCKNER Ave Maria     \u003cbr\u003e\n3. Locus iste     \u003cbr\u003e\n4. Virga Jesse     \u003cbr\u003e\n5. ELGAR Give unto the Lord     \u003cbr\u003e\n6. FAURÉ Ave verum     \u003cbr\u003e\n7. KALINNIKOV I Will Love Thee     \u003cbr\u003e\n8. RACHMANINOFF Hymn of the Cherubim     \u003cbr\u003e\n9. VERDI Ave Maria     \u003cbr\u003e\n10. Pater Noster     \u003cbr\u003e\n11. organ Walsh     \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD11 - J.S. BACH\u003c\/strong\u003e\u003cbr\u003e\n1. Der Gerechte kömmt um BWV 1149     \u003cbr\u003e\n2. Magnificat in E flat BWV 243a - Kirkby · Nelson · Watkinson · Elliott · Thomas · Academy of Ancient Music     \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD12–15 - HANDEL\u003c\/strong\u003e\u003cbr\u003e\n1. Anthem for the Foundling Hospital     \u003cbr\u003e\n2. Messiah     \u003cbr\u003e\n3. AAM\/Hogwood     \u003cbr\u003e\n4. 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This record was pressed from a master cut using a precision technique known as half-speed mastering. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialized technique transforms difficult to cut high-end frequencies into relatively easy to cut mid-range frequencies. The result is a cut with excellent high frequency response and very sold and stable stereo images. In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record. 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The Hybrid SACD format combines the high density 24bit \/ 192kHz stereo mix with a standard CD layer meaning these discs will also play in any normal CD player, delivering unrivalled listening flexibility\u003cbr\u003e• Each edition includes lavishly illustrated booklets featuring technical information on the new HD remaster and original recording techniques, introduction to each opera by Producer John Culshaw, synopses and libretti in English \u0026amp; German plus many original session photographs and rare facsimiles\u003c\/p\u003e\u003cp\u003e“The greatest recording of all time”:\u003cbr\u003eGramophone Magazine 1999 · BBC Music Magazine 2011\u003cbr\u003eGrammy Award · Edison Award · Grand Prix Mondial du disque\u003c\/p\u003e\u003cp\u003ePlease visit www.soltiring.com to discover more about this iconic recording.\u003c\/p\u003e","brand":"Sir Georg Solti","offers":[{"title":"Default Title","offer_id":44974961033505,"sku":"4852635","price":99.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/Solti-5LP_grande_a6233abe-ea79-4ad8-a4bf-ca313b3fdfed.webp?v=1756378806"},{"product_id":"concertgebouworkest-complete-studio-recordings","title":"Concertgebouworkest — Complete Studio Recordings","description":"\u003cp\u003eIn 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe.  Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra:  Sound, Trust and Magic.  Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse.  How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”  Together they left a vast recorded legacy which is now collected in one edition for the first time on 113 CDs + 4 DVDs with original sleeves and presented with a 170pp book (EN\/FR\/DE\/JP) with authoritative notes by Niek Nelissen, a foreword by Patricia Haitink and tributes from many fellow musicians.  This limited edition stands as a fitting and heartfelt tribute to one of the most endearing and celebrated conductor-orchestra partnerships.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include:\u003cbr\u003e\n• Complete symphony cycles of Beethoven, Brahms, Bruckner, Mahler, Schumann, Tchaikovsky \u0026amp; Shostakovich\u003cbr\u003e\n• Beethoven Piano Concertos with Murray Perahia [CBS] and Claudio Arrau; Rachmaninoff Piano Concertos with Vladimir Ashkenazy; Brahms Piano Concertos with Claudio Arrau (Nos. 1 \u0026amp; 2) and Alfred Brendel (No. 2) and Vladimir Ashkenazy (No. 1)\u003cbr\u003e\n• Brahms’ Double Concerto with Itzhak Perlman \u0026amp; Mstislav Rostropovich [EMI] and Henryk Szeryng \u0026amp; Janos Starker; Beethoven and Brahms Violin Concertos with Henryk Szeryng and Herman Krebbers; Tchaikovsky and Mendelssohn Violin Concertos with Arthur Grumiaux and Henryk Szeryng\u003cbr\u003e\n• A selection of live recordings from the Concertgebouw’s own label including Brahms Concertos with Frank Peter Zimmermann and Emanuel Ax \u003cbr\u003e\n• Award-winning recordings of Debussy \u0026amp; Ravel’s orchestral music including La mer, Nocturnes, Jeux, Images, Prélude à l’Après-midi d’un faune + Daphnis et Chloé \u0026amp; Mother Goose Suites and Boléro \u003cbr\u003e\n• Many Edison award-winning recordings including Bartók’s Concerto for Orchestra\u003cbr\u003e\n• 24-bit remasterings of the multi award-winning Mahler and Bruckner Cycles \u003cbr\u003e\n• The first international DVD release of the Eurovision Christmas Matinee performances of Mahler’s symphonies\u003cbr\u003e\n• Includes multiple recordings of Mahler 1, 4 \u0026amp; 7; Bruckner 7, 8 \u0026amp; 9; and Tchaikovsky 4 \u0026amp; 6\u003cbr\u003e\n• The recordings are all presented with original jackets and accompanied by a 170pp book (EN\/FR\/DE\/JP) with authoritative notes by music historian and friend of Haitink, Niek Nelissen; a foreword by Patricia Haitink; tributes from many musicians; many photographs; a chronological recording index and full recording information. \u003cbr\u003e\n• Two-piece rigid lift-off lid box \/ Dimensions: 270 x 205.5 x 140 mm \u003c\/p\u003e","brand":"Royal Concertgebouw Orchestra, Bernard Haitink","offers":[{"title":"Default Title","offer_id":44974967128353,"sku":"4852737","price":318.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/71KborHk-ZL._AC_SL1500.webp?v=1751974026"},{"product_id":"das-rheingold-2x-hybrid-sacd","title":"Das Rheingold 2x Hybrid SACD","description":"\u003cp\u003eCommemorating the 25th anniversary of Sir Georg Solti’s passing “The Greatest Recording Of All Time” Now sounding better than ever before on Hybrid SACD.\u003c\/p\u003e\u003cp\u003eTransferred and remastered in HD sound at 24bit \/ 192kHz from the original two-track stereo mastertapes\u003cbr\u003eThe first all-new transfer in over twenty-five years\u003cbr\u003eThe first-ever stereo production of Wagner’s Ring cycle, still considered the benchmark today. \u003cbr\u003e“Here is the greatest achievement in gramophone history yet”, wrote Gramophone in 1965. For many, it still is\u003c\/p\u003e\u003cp\u003eALL FOUR OPERAS IN THE CYCLE WILL BE RELEASED IN DELUXE HYBRID SACD EDITIONS:\u003cbr\u003eThis iconic recording is released internationally for the first time on Hybrid SACD, delivering Solti \u0026amp; Culshaw’s sonic vision in the highest quality possible. 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They were then equalised through an all-valve mastering desk built bespoke for Decca studios in the late 1950s, Vintage Lang Pultec EQ, Prism Maselec EQ and Telefunken U73b valve limiters from 1959. The LP lacquers were cut on a beautifully restored Haeco Scully Lathe from 1967 with Westrex (Western Electric) head and cutting amps: the same go-to lathe that Rudy Van Gelder used.\u003c\/p\u003e\n\n\u003cp\u003eContents:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eLP1: Tubbs (1961)\u003c\/li\u003e\n\t\u003cli\u003eLP2: Equation In Rhythm \/ Palladium Jazz Date * (A side: Southern Suite Pts. 1 \u0026amp; 2, B side: Tubby Hayes’ Palladium Jazz Date tracks) (1961 \u0026amp; 1962).\u003c\/li\u003e\n\t\u003cli\u003eLP3: Tubbs In N.Y. (1961)**\u003c\/li\u003e\n\t\u003cli\u003eLP4: Return Visit! 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This record was pressed from a master cut using a precision technique known as half-speed mastering. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialized technique transforms difficult to cut high-end frequencies into relatively easy to cut mid-range frequencies. The result is a cut with excellent high frequency response and very sold and stable stereo images. In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record. 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Additionally included is a Blu ray video disc of promotional videos and BBC TV appearances on “The Old Grey Whistle Test” and “Sight and Sound In Concert” and a Blu ray video disc of the 1984 concert film “Pressure Points”\u003c\/p\u003e\u003cp\u003eThe boxed set includes a lavishly illustrated book with essay and a poster.\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eSarah (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eNever Let Go (single version) - Bonus track\u003c\/li\u003e\n\u003cli\u003eHomage to the God of Light (live) (from \"Greasy Truckers - Live at Dingwalls Dance Hall\") - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eEarthrise (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))\u003c\/li\u003e\n\u003cli\u003eThe Traveller (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))\u003c\/li\u003e\n\u003cli\u003eSupertwister (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))\u003c\/li\u003e\n\u003cli\u003eThe White Rider (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))\u003c\/li\u003e\n\u003cli\u003eLady Fantasy (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eLady Fantasy (Basing Street studios original mix)\u003c\/li\u003e\n\u003cli\u003eAutumn (previously unreleased)\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider (BBC Radio One \"In Concert\" - 6th June 1974) - Bonus track\u003c\/li\u003e\n\u003cli\u003eLigging at Louis' (BBC Radio One \"In Concert\" - 6th June 1974) - Bonus track\u003c\/li\u003e\n\u003cli\u003eLady Fantasy (BBC Radio One \"In Concert\" - 6th June 1974) - Bonus track\u003c\/li\u003e\n\u003cli\u003eArubaluba (BBC Radio One \"In Concert\" - 6th June 1974) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eNimrodel\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eArubaluba.\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose \/ Freefall\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eHomage to the God of Light\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose (single version) - Bonus track\u003c\/li\u003e\n\u003cli\u003eRhayder (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eRiverman\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eSanctuary (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eMigration (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eRhayder Alone (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003ePreparation (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eDunkirk (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eEpitaph (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eSelections from \"The Snow Goose\" (BBC TV Old Grey Whistle Test – 21st June 1975) a. The Snow Goose \/ b. Friendship \/ c. Rhayader Goes to Town\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eIntroduction by Peter Bardens\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eEncore: Lady Fantasy (previously unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eSpirit of the Water\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003eSprit of the Water (demo) - Bonus track\u003c\/li\u003e\n\u003cli\u003eChord Change (demo) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eLunar Sea (demo) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eAnother Night (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eThe White Rider\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFirst Light\u003c\/li\u003e\n\u003cli\u003eMetrognome\u003c\/li\u003e\n\u003cli\u003eTell Me\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun\u003c\/li\u003e\n\u003cli\u003eUnevensong\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get An Early Night\u003c\/li\u003e\n\u003cli\u003eElke\u003c\/li\u003e\n\u003cli\u003eSkylines\u003c\/li\u003e\n\u003cli\u003eRain Dances\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (single version) - Bonus track\u003c\/li\u003e\n\u003cli\u003eFirst Light (live at the Colston Hall, Bristol 2nd October 1977) - Bonus track\u003c\/li\u003e\n\u003cli\u003eMetrognome (live at the Colston Hall, Bristol 2nd October 1977) - Bonus track\u003c\/li\u003e\n\u003cli\u003eUnevensong (live at the Colston Hall, Bristol 2nd October 1977) - Bonus track\u003c\/li\u003e\n\u003cli\u003eSkylines (live at Leeds University 3rd October 1977) - Bonus track\u003c\/li\u003e\n\u003cli\u003eLunar Sea (live at the Colston Hall, Bristol 2nd October 1977) - Bonus track\u003c\/li\u003e\n\u003cli\u003eRaindances (live at the Colston Hall, Bristol 2nd October 1977) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNever Let Go (live at the Colston Hall, Bristol 2nd October 1977)\u003c\/li\u003e\n\u003cli\u003eFirst Light (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eMetrognome (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eUnevensong (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eRhayader \/ Rhayader Goes to Town (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eSkylines (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eRain Dances (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eNever Let Go (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFirst Light\u003c\/li\u003e\n\u003cli\u003eMetrognome\u003c\/li\u003e\n\u003cli\u003eUnevensong\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eTell Me\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eSkylines\u003c\/li\u003e\n\u003cli\u003eHighway to the Sun\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003eRain Dances\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eBreathless\u003c\/li\u003e\n\u003cli\u003eEchoes\u003c\/li\u003e\n\u003cli\u003eWing and a Prayer\u003c\/li\u003e\n\u003cli\u003eDown on the Farm\u003c\/li\u003e\n\u003cli\u003eStarlight Ride\u003c\/li\u003e\n\u003cli\u003eSummer Lightning\u003c\/li\u003e\n\u003cli\u003eYou Make Me Smile\u003c\/li\u003e\n\u003cli\u003eThe Sleeper\u003c\/li\u003e\n\u003cli\u003eRainbow's End\u003c\/li\u003e\n\u003cli\u003eRainbow's End (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eYour Love is Stranger Than Mine\u003c\/li\u003e\n\u003cli\u003eEye of the Storm\u003c\/li\u003e\n\u003cli\u003eWho We Are\u003c\/li\u003e\n\u003cli\u003eSurvival\u003c\/li\u003e\n\u003cli\u003eHymn to Her\u003c\/li\u003e\n\u003cli\u003eNeon Magic\u003c\/li\u003e\n\u003cli\u003eRemote Romance\u003c\/li\u003e\n\u003cli\u003eIce\u003c\/li\u003e\n\u003cli\u003eRemote Romance (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eCaptured (first version) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003eSummer Lightning\u003c\/li\u003e\n\u003cli\u003eIce\u003c\/li\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNo Easy Answer\u003c\/li\u003e\n\u003cli\u003eYou Are the One\u003c\/li\u003e\n\u003cli\u003eHeroes\u003c\/li\u003e\n\u003cli\u003eSelva\u003c\/li\u003e\n\u003cli\u003eLullabye\u003c\/li\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eManic\u003c\/li\u003e\n\u003cli\u003eCamelogue\u003c\/li\u003e\n\u003cli\u003eToday's Goodbye\u003c\/li\u003e\n\u003cli\u003eA Heart's Desire\u003c\/li\u003e\n\u003cli\u003eEnd Piece\u003c\/li\u003e\n\u003cli\u003eYou Are the One (promotional 12-inch single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003cli\u003eMissing\u003c\/li\u003e\n\u003cli\u003eAfter Words\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines - Bonus track\u003c\/li\u003e\n\u003cli\u003ePressure Points (12-inch single extended version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eSpirit of the Water\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eAutumn - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRiverman - Bonus track\u003c\/li\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eSpirit of the Water\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eSelections from \"The Snow Goose\" a. The Snow Goose \/ b. Friendship \/ c. Rhayader Goes to Town (Guildford Civic Hall 1973 – MCA Promo film shown on “The Old Grey Whistle Test”)\u003c\/li\u003e\n\u003cli\u003eThe White Rider (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003ePreparation (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eDunkirk (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eAnother Night (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eLady Fantasy (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eFirst Light (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eMetrognome (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eUnevensong (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eRhayader \/ Rhayader Goes to Town (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eSkylines (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eRain Dances (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eNever Let Go (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eCity Life (BBC TV – “Sight \u0026amp; Sound in Concert – 29th September 1977”)\u003c\/li\u003e\n\u003cli\u003eLies (BBC TV – “Sight \u0026amp; Sound in Concert – 29th September 1977”)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines\u003c\/li\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Camel","offers":[{"title":"Default Title","offer_id":49660251570465,"sku":"456769A","price":176.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/CamelBox_3D_Render1.png?v=1719244862"},{"product_id":"bruckner-the-complete-9-symphonies-vinyl-17lp","title":"Bruckner - The Complete 9 Symphonies: Vinyl 17LP","description":"\u003cdiv\u003eTo mark Anton Bruckner’s bicentenary in 2024, Deutsche Grammophon releases a limited and numbered audiophile vinyl edition of Herbert von Karajan’s famous recordings of the complete symphony cylce with Berliner Philharmoniker on 17 LPs. All recordings have been newly mastered and mixed by Rainer Maillard and Sidney C. Meyer from Emil Berliner Studios:\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eSymphonies Nos. 4–7 (analogue recordings from 1975–1979), based on 8-track material were treated according to the Original Source Series standards. \u003c\/li\u003e\n\u003cli\u003eSymphonies Nos. 1, 2 \u0026amp; 3 are digital recordings from 1980 and 1981 and have also been newly mastered and cut by the same team at EBS, optimizing the sound by through utilising new bespoke analogue-to-digital-to-analogue conversion technologies and using a tube-based mixing console from 1960.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe 17 LP set is housed in a slipcase with O-card, with eight 2-LP gatefolds (Symphonies Nos. 2– 9) and one single sleeve (Symphony No. 1) presented in a sleeve (1 LP), with artwork based on the respective original releases including liner notes, and with additional material including recording documentation and photos. LP 17, Side B features an etching. In an extra leaflet which also includes the liner notes of the first complete release back in the 1980, Rainer Maillard explains in detail which materials EBS had in hands and how they proceeded with them, in order to obtain optimal sound quality.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cdiv\u003eLP 1 \u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 1 1877 Rev. Linz Version, Ed. Haas\u003c\/div\u003e\n\u003cdiv\u003eSide A: movts. 1 + 2\u003c\/div\u003e\n\u003cdiv\u003eSide B: movts. 3 + 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 2\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 2 Ed. Novak\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 3\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 4\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 3 Ed. Novak\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 5\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 6\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 4 Version 1878\/1880\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 7\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 8\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 5\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2 \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 9\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 10\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 6\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 11\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 12\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 7 Ed. Haas\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 13\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 14\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 8\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 15\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 16\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 9\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 1\u003c\/div\u003e\n\u003cdiv\u003eSide B: movt. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP 17\u003c\/div\u003e\n\u003cdiv\u003eSide A: movt. 3\u003c\/div\u003e\n\u003cdiv\u003eSide B: blanco but featuring an etching\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Herbert von Karajan","offers":[{"title":"Default Title","offer_id":49938380488993,"sku":"4865436","price":259.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/thumbnail_486_5436_Karajan-Bruckner_Compl-9Symph.packshot_b7cb7b4a-d089-400b-9cb2-b48d295378df.jpg?v=1747757710"},{"product_id":"the-complete-decca-recordings-40cd-box-set","title":"The Complete Decca Recordings: 40CD Box Set","description":"\u003cp\u003e40 discs showcasing Christoph von Dohnányi’s Cleveland years with Decca\u003c\/p\u003e\u003cp\u003eDohnányi’s relationship with Cleveland is one of the world’s foremost orchestra\/conductor partnerships, a collaboration Decca has captured on many critically acclaimed recordings praised not only for the clarity of their interpretative vision, but by their standard-setting sonics\u003c\/p\u003e\u003cp\u003eIn addition to Mozart and major romantic works by Schumann, Mahler and Bruckner, the set offers insightful performances of 20th-century masters: Varèse, Ives, Schoenberg, and Lutoslawski, among them. Wagner’s Rheingold and Walküre fill out the set to provide a rounded portrait of the conductor’s Cleveland years\u003c\/p\u003e\u003cp\u003eIncludes original jackets, session photos and an insightful and detailed note by Andrew Stewart.\u003c\/p\u003e\u003cp\u003eCDs 1–5 MOZART\u003cbr\u003eSymphonies 35, 36, 38, 39, 40, 41\u003cbr\u003eBassoon Concerto K.191 (David McGill)\u003cbr\u003eClarinet Concerto K.622 (Franklin Cohen)\u003cbr\u003eFlute \u0026amp; Harp Concerto K.299\u003cbr\u003e(Joshua Smith, Lisa Wellbaum)\u003cbr\u003eOboe Concerto K.314 (John Mack)\u003cbr\u003eSerenade No.13 “Eine kleine Nachtmusik”\u003cbr\u003eSinfonia concertante K.364\u003cbr\u003e(Daniel Majeske, Robert Vernon)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCD 6\u003cbr\u003eBERLIOZ Symphonie fantastique\u003cbr\u003eWEBER\/BERLIOZ L’Invitation a la valse\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCDs 7 \u0026amp; 8 SCHUMANN\u003cbr\u003eSymphonies 1–4\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCD 9\u003cbr\u003eBRAHMS Violin Concerto (Joshua Bell)\u003cbr\u003eSCHUMANN Violin Concerto (Joshua Bell)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCDs 10–16 BRUCKNER\u003cbr\u003eSymphonies Nos. 3–9\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCDs 17–22 WAGNER\u003cbr\u003eDas Rheingold\u003cbr\u003e(Robert Hale, Hanna Schwarz, Nancy Gustafson,\u003cbr\u003eEike Wilm Schulte, Thomas Sunnegårdh, Kim Begley,\u003cbr\u003ePeter Schreier, Elena Zaremba, Franz-Josef Kapellmann,\u003cbr\u003eJan-Hendrik Rootering, Walter Fink, Gabriele Fontana,\u003cbr\u003eIldikó Komlósi, Margareta Hintermeier)\u003cbr\u003eDie Walkure\u003cbr\u003e(Poul Elming, Alessandra Marc, Alfred Muff,\u003cbr\u003eRobert Hale, Gabriele Schnaut, Anja Silja, Karin Goltz,\u003cbr\u003eRuth Falcon, Susan Marie Pierson, Michèle Crider,\u003cbr\u003ePenelope Walker, Katherine Ciesinski,\u003cbr\u003eSusan Shafer, Sandra Walker)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCD 23 R. STRAUSS\u003cbr\u003eEin Heldenleben\u003cbr\u003eTill Eulenspiegels lustige Streiche\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCDs 24–28 MAHLER\u003c\/p\u003e","brand":"The Cleveland Orchestra, Christoph von Dohnányi","offers":[{"title":"Default Title","offer_id":50065940250913,"sku":"4854683","price":149.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/cleveland-png.png?v=1745361450"},{"product_id":"puccini-la-boheme-vinyl-2lp-box-set","title":"Puccini - La Bohème: Vinyl 2LP Box Set","description":"\u003cp\u003ePuccini, Pavarotti, Karajan - a combination that reached its unrivalled climax in October 1972 in a masterful recording of ‘La Bohème’ at the Jesus Christ Church in Berlin. Puccini's opera continues to touch and inspire opera lovers worldwide. Luciano Pavarotti, who once made his operatic debut as Rodolfo, later made the role his own.  In the ‘La Bohème’ recording Pavarotti presents himself in his ravishing vocal prime. Together with his singing partner for decades, Mirella Freni, and a stellar cast of soloists, and under the direction of Herbert von Karajan, a recording was made that remains groundbreaking to this day. To mark the 100th anniversary of Puccini's death, two high-quality box sets will be released on either 2 Hybrid SACD or 2LP, using a new 24-bit 192 kHz high-definition transfer from the original master tapes. For the vinyl edition the LPs have been cut at Abbey Road Studios and are pressed on 180gm vinyI. \u003c\/p\u003e\u003cp\u003eMeticulously researched and lavishly presented hardback book housed in a deluxe rigid slipcase, including full libretto (with translation), an extended new essay, facsimiles from the original booklet, features about the main artists and original session photographs.\u003c\/p\u003e\u003cp\u003eSide A:\u003cbr\u003e1. Puccini: \"Questo Mar Rosso\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e2. Puccini: \"Pensier profondo\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e3. Puccini: \"Abasso, abbasso l'autor!\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e4. Puccini: \"Si può...Chi è là?\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e5. Puccini: \"Io resto\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e6. Puccini: \"Chi è là?\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e7. Puccini: \"Si sente meglio?\" [La bohème, SC 67 \/ Act 1] - Remastered 2024\u003cbr\u003e8. Puccini: \"Che gelida manina\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e9. Puccini: \"Sì. Mi chiamano Mimì\" [La Bohème \/ Act 1] - Remastered 2024\u003c\/p\u003e\u003cp\u003eSide B:\u003cbr\u003e1. Puccini: \"Ehi! Rodolfo!\" [La bohème, SC 67 \/ Act 1] - Remastered 2024\u003cbr\u003e2. Puccini: \"O soavefanciulla\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e3. Puccini: \"Arranci,datteri!\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e4.Puccini: \"Chi guardi?... Ecco i giocattoli di Parpignol\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e5. Puccini: \"Viva Parpignol...Una cuffietta a pizzi\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e6. Puccini: \"Oh!...Essa!...Musetta!\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e7. Puccini: \"Quando m'en vo'\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e8. Puccini: \"Chi l'ha richiesto?\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e \u003cbr\u003eSide C:\u003cbr\u003e1. Puccini: \"Ohè, là, le guardie!...Aprite!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e2. Puccini: \"Sa dirmi, scusi\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e3. Puccini: \"Mimì! - Speravo di trovarvi qui\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e4. Puccini: \"Marcello. Finalmente!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e5. Puccini: \"Mimì è una civetta\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e6. Puccini: \"Mimì è tanto malata!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e7. Puccini: \"Donde lieta uscì\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e8. Puccini: \"Dunque: è proprio finita!...Addio, dolce svegliare\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e \u003cbr\u003eSide D:\u003cbr\u003e1. Puccini: \"In un coupé?\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e2. Puccini: \"O Mimì, tu più non torni...Che ora sia\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e3. Puccini: \"Gavotta\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e4. Puccini: \"C'è Mimì...\" [La bohème, SC 67 \/ Act 4] - Remastered 2024\u003cbr\u003e5. Puccini: \"Vecchia zimarra, senti\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e6. Puccini: \"Sono andati\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e7. Puccini: \"Oh Dio! Mimi! ...Che avvien?\" [La Bohème \/ Act 4] - Remastered 2024\u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":50361699336481,"sku":"4870506","price":109.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/La-Boheme-LP-3D-new-v3.png?v=1752234847"},{"product_id":"puccini-la-boheme-2sacd-box-set","title":"Puccini - La Bohème: 2SACD Box set","description":"\u003cp\u003ePuccini, Pavarotti, Karajan - a combination that reached its unrivalled climax in October 1972 in a masterful recording of ‘La Bohème’ at the Jesus Christ Church in Berlin. Puccini's opera continues to touch and inspire opera lovers worldwide. Luciano Pavarotti, who once made his operatic debut as Rodolfo, later made the role his own.  In the ‘La Bohème’ recording Pavarotti presents himself in his ravishing vocal prime. Together with his singing partner for decades, Mirella Freni, and a stellar cast of soloists, and under the direction of Herbert von Karajan, a recording was made that remains groundbreaking to this day. To mark the 100th anniversary of Puccini's death, two high-quality box sets will be released on either 2 Hybrid SACD or 2LP, using a new 24-bit 192 kHz high-definition transfer from the original master tapes. For the vinyl edition the LPs have been cut at Abbey Road Studios and are pressed on 180gm vinyI. \u003c\/p\u003e\u003cp\u003eMeticulously researched and lavishly presented hardback book housed in a deluxe rigid slipcase, including full libretto (with translation), an extended new essay, facsimiles from the original booklet, features about the main artists and original session photographs\u003c\/p\u003e\u003cp\u003eSACD1:\u003cbr\u003e1. Puccini: \"Questo Mar Rosso\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e2. Puccini: \"Pensier profondo\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e3. Puccini: \"Abasso, abbasso l'autor!\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e4. Puccini: \"Si può...Chi è là?\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e5. Puccini: \"Io resto\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e6. Puccini: \"Chi è là?\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e7. Puccini: \"Si sente meglio?\" [La bohème, SC 67 \/ Act 1] - Remastered 2024\u003cbr\u003e8. Puccini: \"Che gelida manina\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e9. Puccini: \"Sì. Mi chiamano Mimì\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e10. Puccini: \"Ehi! Rodolfo!\" [La bohème, SC 67 \/ Act 1] - Remastered 2024\u003cbr\u003e11. Puccini: \"O soavefanciulla\" [La Bohème \/ Act 1] - Remastered 2024\u003cbr\u003e12. Puccini: \"Arranci,datteri!\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e13. Puccini: \"Chi guardi?... Ecco i giocattoli di Parpignol\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e14. Puccini: \"Viva Parpignol...Una cuffietta a pizzi\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e15. Puccini: \"Oh!...Essa!...Musetta!\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e16. Puccini: \"Quando m'en vo'\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e17. Puccini: \"Chi l'ha richiesto?\" [La Bohème \/ Act 2] - Remastered 2024\u003cbr\u003e \u003cbr\u003eSACD2:\u003cbr\u003e1. Puccini: \"Ohè, là, le guardie!...Aprite!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e2. Puccini: \"Sa dirmi, scusi\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e3. Puccini: \"Mimì! - Speravo di trovarvi qui\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e4. Puccini: \"Marcello. Finalmente!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e5. Puccini: \"Mimì è una civetta\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e6. Puccini: \"Mimì è tanto malata!\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e7. Puccini: \"Donde lieta uscì\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e8. Puccini: \"Dunque: è proprio finita!...Addio, dolce svegliare\" [La Bohème \/ Act 3] - Remastered 2024\u003cbr\u003e9. Puccini: \"In un coupé?\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e10. Puccini: \"O Mimì, tu più non torni...Che ora sia\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e11. Puccini: \"Gavotta\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e12. Puccini: \"C'è Mimì...\" [La bohème, SC 67 \/ Act 4] - Remastered 2024\u003cbr\u003e13. Puccini: \"Vecchia zimarra, senti\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e14. Puccini: \"Sono andati\" [La Bohème \/ Act 4] - Remastered 2024\u003cbr\u003e15. Puccini: \"Oh Dio! Mimi! ...Che avvien?\" [La Bohème \/ Act 4] - Remastered 2024\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":50361996214561,"sku":"4870503","price":99.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/La-Boheme-CD-3D-new-v3.png?v=1754922127"},{"product_id":"jorge-bolet-complete-decca-recordings","title":"Jorge Bolet - Complete Decca Recordings","description":"\u003cp\u003eWhen Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.\u003c\/p\u003e\u003cp\u003eBorn in Havana, Cuba, in 1914, Bolet was the fifth of six children. Showing an early aptitude for the piano, Bolet was able, through private funding as well as pure serendipity (something that informed several key moments in his professional life), to study at the Curtis Institute in Philadelphia with David Saperton, who also taught Shura Cherkassky, Abbey Simon and the young Julius Katchen. Saperton was the son-in-law of Leopold Godowsky and later, Bolet took lessons with him.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eREPERTOIRE\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1: CHOPIN\/GODOWSKY Transcriptions\u003cbr\u003e2: LISZT: Two Concert Studies, S.145; Three Concert Studies, S.144; Six Consolations, S.172; Réminiscences de Don Juan — Mozart, S.418\u003cbr\u003e3: BRAHMS: Variations on a theme by Handel, Op. 24; REGER: Variations and Fugue on a Theme by Telemann, Op. 134\u003cbr\u003e4: LISZT: Schubert Lieder Transcriptions\u003cbr\u003e5: LISZT: Hungarian Rhapsody No.12; Liebestraum No.3; Mephisto Waltz No.1; Funérailles (Harmonies Poétiques Et Religieuses No.7); Rigoletto (Verdi) – Concert Paraphrase; La Campanella \u003cbr\u003e6: LISZT: Sonata in B minor; Valse Impromptu; Liebesträume Nos. 1 \u0026amp; 2; Grand Galop Chromatique\u003cbr\u003e7: LISZT: Années de pèlerinage: Italie \u003cbr\u003e8:RACHMANINOFF: Piano Concerto No. 3 [London Symphony Orchestra\/Ivan Fischer]\u003cbr\u003e9: LISZT: Années de pèlerinage: Suisse\u003cbr\u003e10: LISZT: Années de pèlerinage: Venezia e Napoli; Les Jeux d’eau à la Villa d’Este; Bénédiction de Dieu dans la solitude; Ballade No.2 \u003cbr\u003e11: LISZT: Totentanz; Malédiction; Hungarian Fantasia [London Symphony Orchestra\/Ivan Fischer]; SCHUBERT\/LISZT: Wanderer Fantasie [London Philharmonic Orchestra\/Georg Solti]\u003cbr\u003e12: LISZT: Transcendental Studies S139\u003cbr\u003e13: Piano Encores – Mendelssohn, Chopin, Debussy, Schubert\/Godowsky, Albéniz\/Godowsky, Godowsky, R. Strauss\/Godowsky, Bizet\/Godowsky, Moszkowski, Schlözer\u003cbr\u003e14: GRIEG: Piano Concerto; SCHUMANN: Piano Concerto [RSO Berlin\/Riccardo Chailly]\u003cbr\u003e15: SCHUMANN: Carnaval, Op. 9; Fantasie in C, Op. 17\u003cbr\u003e16: RACHMANINOFF: Variations on a Theme of Chopin, Op. 22; Preludes, Opp. 3\/2, 32\/7, 32\/12, 23\/5, 23\/10; Mélodie, Op. 3 No. 3; KREISLER\/RACHMANINOFF: Liebesleid, Liebesfreud\u003cbr\u003e17: FRANCK: Symphony in D minor; Variations symphoniques [Concertgebouworkest\/Riccardo Chailly]\u003cbr\u003e18: CHOPIN: Ballades Nos. 1-4; Barcarolle, Op. 60; Fantasie, Op. 49\u003cbr\u003e19: RACHMANINOFF: Piano Concerto No. 2; TCHAIKOVSKY: Piano Concerto No. 1 [Orchestre symphonique de Montréal\/Charles Dutoit]\u003cbr\u003e20: CHOPIN: 24 Préludes, Op. 28; Nocturnes, Opp. 27\/1, 55\/1, 27\/2, 62\/2\u003cbr\u003e21: FRANCK: Prélude, Choral et Fugue; Prélude, Aria et Final\u003cbr\u003e22: DEBUSSY: Préludes from Books I \u0026amp; II\u003cbr\u003e23: SCHUBERT: Piano Sonata in A major, D.959; Piano Sonata in A minor, D.784\u003cbr\u003e24: MENDELSSOHN: Prelude \u0026amp; Fugue, Op. 35\/1; FRANCK: Prélude, Choral et Fugue; LISZT: Réminiscences de Norma S.394\u003cbr\u003e25: CHOPIN: Piano Concertos Nos. 1 \u0026amp; 2 [Orchestre symphonique de Montréal\/Charles Dutoit]\u003cbr\u003e26: CHOPIN: Nocturnes – Opp. 9\/1, 9\/3, 15\/1, 32\/1, 32\/2, 55\/2, 72\/1; Berceuse\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eKey among his projects for the label was a sequence of Liszt recordings, described by Gramophone as ‘an indispensable series’. Undeniable is his stamp on the original Liszt works, but have the transcriptions of the Schubert lieder ever taken wing like they do in these interpretations? He also recorded concertos by Grieg, Chopin, Schumann, and Rachmaninoff as well as solo works by the last three aforementioned.\u003c\/p\u003e","brand":"Jorge Bolet","offers":[{"title":"Default Title","offer_id":50406400885025,"sku":"4854283","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/jorge-bolet.png?v=1745446809"},{"product_id":"john-williams-in-concert-vinyl-7lp-collection","title":"John Williams in Concert: Vinyl 7LP Collection","description":"\u003cp\u003eIn recent years, legendary John Williams has recorded a series of very special concerts and conducted selections of his most famous film music with some of the world’s greatest orchestras, namely Berliner Philharmoniker, Wiener Philharmoniker, Boston Symphony Orchestra and Saito Kinen Orchestra. Deutsche Grammophon is now issuing a very unique fan-item presenting four different recordings of John Williams’ “Imperial March” from Star Wars: The Empire Strikes Back with these orchestras. 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SACD Edition: presenting 24-bit audio. \u003cbr\u003e \u003cbr\u003eMeticulously researched and lavishly presented hardback book in multiple languages, housed in a deluxe cloth-wrapped rigid slipcase, with sticker and onsert, presenting: a new feature-length essay from internationally renowned writer on opera, Roger Pines; specially commissioned article on Mirella Freni; special article from Decca’s rising tenor Freddie de Tommaso on Puccini, Pavarotti and Madama Butterfly; facsimiles from the original 1975 booklet, including the complete libretto in original Italian, plus English and German translations; contemporaneous photographs and recently unearthed shots; Exclusive 1920s-style Madama Butterfly collectible poster (A4).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSACD1\u003cbr\u003e1. Puccini: Introduction – E soffitto e pareti [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e2. Puccini: Sorride vostro onore? [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e3. Puccini: Dovunque al mondo [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e4. Puccini: America for Ever [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e5. Puccini: Ier l'altro il Consolato [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e6. Puccini: Ecco. Son giunte al sommo del pendio [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e7. Puccini: Gran ventura [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e8. Puccini: L'Imperial Commissario [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e9. Puccini: Vieni, amor mio! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e10. Puccini: Ieri son salita tutta sola in segreto alla Missione [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e11. Puccini: Tutti zitti! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e12. Puccini: O Kami! O Kami! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e13. Puccini: Cio-cio-san! Cio-cio-san! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e14. Puccini: Bimba, bimba, non piangere [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e15. Puccini: Viene la sera [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e16. Puccini: Vogliatemi bene – Vieni, vieni! (Love Duet) [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e17. Puccini: E Izaghi ed Izanami, Sarundasico e Kami [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e18. Puccini: Un bel dì vedremo [Madama Butterfly, Act II] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eSACD2                                                                                                                                                                                                                                                                                \u003cbr\u003e1. Puccini: C'è. Entrate [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e2. Puccini: Si sa che aprir la parta [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e3. Puccini: Udiste? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e4. Puccini: Ora a noi. Sedete qui [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e5. Puccini: Ebbene, che fareste, Madama Butterfly? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e6. Puccini: E questo? E questo? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e7. Puccini: Che tua madre dovrà prenderti in braccio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e8. Puccini: Vespa! Rospo maledetto! [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e9. Puccini: Una nave da guerra [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e10. Puccini: Scuoti quella fronda di ciliegio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e11. Puccini: Or vienmi ad adornar [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e12. Puccini: Coro a bocca chiusa \"Humming Chorus\" [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e13. Puccini: Intermezzo – Oh eh! Oh eh! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e14. Puccini: [Fischi d'uccelli dal giardino] [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e15. Puccini: Già il sole! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e16. Puccini: Chi sia? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e17. Puccini: Io so che alle sue pene [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e18. Puccini: Non ve l'avevo detto? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e19. Puccini: Addio, fiorito asil [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e20. Puccini: Suzuki! Suzuki! Dove sei? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e21. Puccini: Tu, Suzuki, che sei tanto biona [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e22. Puccini: Come una mosca prigionera [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e23. Puccini: Con onor muore – Tu, tu, piccolo iddio! 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Part of Decca’s Pavarotti-Puccini reissues, marking 100 years since the composer’s death. New high definition 24-bit 192 kHz transfers from the original 1975 master tapes. Presented in deluxe Vinyl \u0026amp; SACD formats. Vinyl Edition: LPs cut at Abbey Road Studios, and pressed on 180gm vinyl; with poly-lined inner sleeves Hybrid. SACD Edition: presenting 24-bit audio. \u003cbr\u003e \u003cbr\u003eMeticulously researched and lavishly presented hardback book in multiple languages, housed in a deluxe cloth-wrapped rigid slipcase, with sticker and onsert, presenting: a new feature-length essay from internationally renowned writer on opera, Roger Pines; specially commissioned article on Mirella Freni; special article from Decca’s rising tenor Freddie de Tommaso on Puccini, Pavarotti and Madama Butterfly; facsimiles from the original 1975 booklet, including the complete libretto in original Italian, plus English and German translations; contemporaneous photographs and recently unearthed shots; Exclusive 1920s-style Madama Butterfly collectible poster (A4).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLP 1 Side 1\u003cbr\u003e1. Puccini: Introduction – E soffitto e pareti [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e2. Puccini: Sorride vostro onore? [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e3. Puccini: Dovunque al mondo [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e4. Puccini: America for Ever [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e5. Puccini: Ier l'altro il Consolato [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e6. Puccini: Ecco. Son giunte al sommo del pendio [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e7. Puccini: Gran ventura [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e8. Puccini: L'Imperial Commissario [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e9. Puccini: Vieni, amor mio! [Madama Butterfly, Act I] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 1 Side 2                                                                                                                                                                                                                                                                                        \u003cbr\u003e1. Puccini: È un presente del Mikado [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e2. Puccini: Tutti zitti! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e3. Puccini: O Kami! O Kami! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e4. Puccini: Cio-cio-san! Cio-cio-san! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e5. Puccini: Bimba, bimba, non piangere [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e6. Puccini: Viene la sera [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e7. Puccini: Vogliatemi bene – Vieni, vieni! (Love Duet) [Madama Butterfly, Act I] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 2 Side 1                                                                                                                                                                                                                                                                                                  \u003cbr\u003e1. Puccini: E Izaghi ed Izanami, Sarundasico e Kami [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e2. Puccini: Un bel dì vedremo [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e3. Puccini: C'è. Entrate [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e4. Puccini: Si sa che aprir la parta [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e5. Puccini: Udiste? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e6. Puccini: Ora a noi. Sedete qui [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e7. Puccini: Ebbene, che fareste, Madama Butterfly? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e8. Puccini: E questo? E questo? [Madama Butterfly, Act II] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 2 side 2                                                                                                                                                                                                                                                                                                                          \u003cbr\u003e1. Puccini: Che tua madre dovrà prenderti in braccio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e2. Puccini: Vespa! Rospo maledetto! [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e3. Puccini: Una nave da guerra [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e4. Puccini: Scuoti quella fronda di ciliegio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e5. Puccini: Or vienmi ad adornar [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e6. Puccini: Coro a bocca chiusa \"Humming Chorus\" [Madama Butterfly, Act II] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 3 side 1\u003cbr\u003e1. Puccini: Intermezzo – Oh eh! Oh eh! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e2. Puccini: [Fischi d'uccelli dal giardino] [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e3. Puccini: Già il sole! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e4. Puccini: Chi sia? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e5. Puccini: Io so che alle sue pene [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e6. Puccini: Non ve l'avevo detto? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e7. Puccini: Addio, fiorito asil [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e8. Puccini: Suzuki! Suzuki! Dove sei? [Madama Butterfly, Act III] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 3 side 2                                                                                                                                                                                                                                                                                                        \u003cbr\u003e1. Puccini: Tu, Suzuki, che sei tanto biona [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e2. Puccini: Come una mosca prigionera [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e3. Puccini: Con onor muore – Tu, tu, piccolo iddio! [Madama Butterfly, Act III] - 2025 Remaster\u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":55692340560254,"sku":"4871039","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/Madama_Butterfly_3LP.png?v=1764675786"},{"product_id":"the-lost-concert-live-at-llangollen-1995-2sacd-box-set","title":"The Lost Concert (Live at Llangollen, 1995) - 2SACD Box Set","description":"\u003cp\u003eA truly historic concert, filmed and recorded in Llangollen, North Wales, released on audio for the very first time.\u003c\/p\u003e\u003cp\u003eThe concert marked 40 years since Pavarotti and his fellow choir members from Modena won First Prize in the Choral Competition at the International Eisteddfod in 1955.\u003c\/p\u003e\u003cp\u003eSeventy-five minutes of remastered musical glory – a programme overflowing with operatic arias from Cavalleria Rusticana, Il trovatore, Macbeth, Manon Lescaut and La traviata, and popular Neapolitan song.\u003c\/p\u003e\u003cp\u003eAlso features two tracks, recorded in 1955, thought to be the earliest recordings with Luciano Pavarotti – Bonjour mon coeur (Lassus) and In Nomine (J Handl) – plus a special audio interview with Pavarotti recalling his choir’s competition win.\u003c\/p\u003e\u003cp\u003eRecorded with the BBC Philharmonic Orchestra, conducted by Leone Magiera; the Corale Rossini, and soprano Atzuko Kawahara\u003c\/p\u003e\u003cp\u003eFeatures a 100-page LP-sized book, detailing the history of the concert, interviews with those who were there; precious and rare historic photos from the Llangollen archive; a newly commissioned biography of Pavarotti; a reproduction of the original concert programme; a specially commissioned history of the Llangollen Eisteddfod; and more.\u003c\/p\u003e\u003cp\u003ePlus – a unique A4 concert poster in each box.\u003c\/p\u003e\u003cp\u003eAll texts in English, German and Welsh.\u003c\/p\u003e\u003cp\u003eComparable in significance to ‘Pavarotti in Hyde Park’ and ‘Pavarotti in Central Park’.\u003c\/p\u003e\u003cp\u003eIn a concert rarely seen or heard since the mid-1990s, experience Pavarotti at the very height of his vocal powers in gloriously remastered sound. \u003c\/p\u003e\u003cp\u003eSACDs are hybrid, with both a PCM (Red Book) audio layer playable on standard CD players, and encoded with a DSD (HD) layer.\u003c\/p\u003e\u003cp\u003eSACD1\u003c\/p\u003e\u003cp\u003e1. 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Bonus Track Interview\u003cbr\u003e24. Orlando di Lasso: Bonjour Mon Coeur\u003cbr\u003e25. Jacobus Handl: In Nomine Jesu\u003c\/p\u003e\u003cp\u003eSACD2\u003c\/p\u003e\u003cp\u003eAudio Documentary\u003cbr\u003eIn this exclusive Decca Classics documentary, Pavarotti recounts highlights from his life and career and speaks about some of his most acclaimed opera roles, in conversation with the feature’s producer and narrator Jon Tolansky. 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Webern: 5 Movements, Op. 5; 6 Pieces for Orchestra, Op. 6; Symphony, Op. 21\u003c\/p\u003e","brand":"Herbert von Karajan","offers":[{"title":"Default Title","offer_id":56070847005054,"sku":"4867248","price":149.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/Schoenberg-packshot_ad61a03a-f671-45f1-bfa8-219874146a8e.png?v=1755594606"},{"product_id":"the-legacy-of-quincy-jones-original-soundtracks-jazz-pop-funk-hip-hop-albums-original-songs-covers-1951-2023","title":"The Legacy Of Quincy Jones: Original Soundtracks, Jazz, Pop, Funk \u0026 Hip-Hop Albums, Original Songs \u0026 Covers (1951–2023)","description":"\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThis 20-CD set brings together a gigantic collection of works by musical genius Quincy Jones. The focus is on Quincy's big band and funk albums, as well as his captivating film soundtracks. Impressive figures: 406 tracks, 22 hours of music, 18 complete artist albums, 15 complete soundtrack albums, and dozens of individual tracks, some of them rare. Landscape-format digipak with 20 CDs and a 44-page booklet featuring Quincy Jones interviews, extensive discographies, and numerous illustrations.\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 1:\u003c\/strong\u003e THE ABC ALBUMS\u003cbr\u003eThis Is How I Feel About Jazz (1956)  \u003cstrong\u003e∙\u003c\/strong\u003e  Go West, Man! (1957)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003eCD 2:\u003c\/strong\u003e QUINCY IN PARIS: LES ANNÉES BARCLAY\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eEt voilà ! (1959)  \u003cstrong\u003e∙\u003c\/strong\u003e  Confetti (1959)  \u003cstrong\u003e∙\u003c\/strong\u003e   \u003cbr\u003e\u003cem\u003ePlus bonus track\u003c\/em\u003e « Numéro 13 » (alternate arrangement)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 3:\u003c\/strong\u003e THE MERCURY YEARS I\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Birth of a Band! (1959)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Great Wide World of Quincy Jones (1959)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 4:\u003c\/strong\u003e THE MERCURY YEARS II\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Quintessence (1962)  \u003cstrong\u003e∙\u003c\/strong\u003e  Big Band Bossa Nova (1962)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 5:\u003c\/strong\u003e GONE HOLLYWOOD I\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Pawnbroker (1965)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Slender Thread (1964)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 6:\u003c\/strong\u003e GONE HOLLYWOOD II\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eMirage (1965)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Deadly Affair (1966)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 7:\u003c\/strong\u003e GONE HOLLYWOOD III\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eIn the Heat of the Night (1967)  \u003cstrong\u003e∙\u003c\/strong\u003e  In Cold Blood (1967)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 8:\u003c\/strong\u003e GONE HOLLYWOOD IV\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eWalk Don't Run (1966)  \u003cstrong\u003e∙\u003c\/strong\u003e  For Love of Ivy (1968)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 9:\u003c\/strong\u003e GONE HOLLYWOOD V\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eMacKenna’s Gold (1967)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Italian Job (1969)  \u003cstrong\u003e∙\u003c\/strong\u003e  \u003cbr\u003e\u003cem\u003ePlus bonus track\u003c\/em\u003e « Un jour comme aujourd’hui »\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 10:\u003c\/strong\u003e GONE HOLLYWOOD VI\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Lost Man (1969)  \u003cstrong\u003e∙\u003c\/strong\u003e  John \u0026amp; Mary (1969)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Getaway (1973)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 11:\u003c\/strong\u003e GONE HOLLYWOOD VII\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eDollars (1971)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Hot Rock (1972)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 12:\u003c\/strong\u003e GONE HOLLYWOOD VIII\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cem\u003eMusic from\u003c\/em\u003e The Boy in the Tree (1961)  \u003cstrong\u003e∙\u003c\/strong\u003e  Banning (1967)  \u003cstrong\u003e∙\u003c\/strong\u003e  A Dandy in Aspic (1968)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Split (1968)  \u003cstrong\u003e∙\u003c\/strong\u003e  Cactus Flower (1969)  \u003cstrong\u003e∙\u003c\/strong\u003e  They Call Me Mister Tibbs! (1970)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Out-of-Towners (1970)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Anderson Tapes (1971)  \u003cstrong\u003e∙\u003c\/strong\u003e  Roots (1977)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Wiz (1978)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 13:\u003c\/strong\u003e GONE HOLLYWOOD IX\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Color Purple (1985)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 14:\u003c\/strong\u003e THE A\u0026amp;M YEARS I\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eWalking in Space (1969)  \u003cstrong\u003e∙\u003c\/strong\u003e  Gula Matari (1970)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 15:\u003c\/strong\u003e THE A\u0026amp;M YEARS II\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eSmackwater Jack\u003cem\u003e \u003c\/em\u003e(1971)  \u003cstrong\u003e∙ \u003c\/strong\u003e You’ve Got It Bad Girl!\u003cem\u003e \u003c\/em\u003e(1973)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 16:\u003c\/strong\u003e THE A\u0026amp;M YEARS III\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eBody Heat\u003cem\u003e \u003c\/em\u003e(1974)  \u003cstrong\u003e∙\u003c\/strong\u003e  Mellow Madness (1975)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 17:\u003c\/strong\u003e THE A\u0026amp;M YEARS IV\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eSounds... and Stuff Like That!!\u003cem\u003e \u003c\/em\u003e(1978)  \u003cstrong\u003e∙\u003c\/strong\u003e  The Dude (1981)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 18:\u003c\/strong\u003e Q’s RETURN I\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eBack on the Block\u003cem\u003e \u003c\/em\u003e(1989)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCD 19:\u003c\/strong\u003e Q’s RETURN II\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eQ’s Jook Joint\u003cem\u003e \u003c\/em\u003e(1995)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\n\u003cstrong\u003eCD 20:\u003c\/strong\u003e ORIGINAL WORKS, COVERS, \u0026amp; NEW READINGS\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eIronside Talib Kweli (2010)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eIn the Heat of the Night Nancy Wilson (1967)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eRight On Time The Brothers Johnson (1977)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eÀ Cannes cet été Henri Salvador (1959)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eDouble Play Clark Terry (1955)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Pawnbroker Tony Bennett  (1966)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eGet Funk Out Of My Face Snoop Dog (2010)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eStockholm Sweetnin' (Un coin merveilleux) Les Double Six (1960)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eEven When You Cry Lou Rawls (1967)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Midnight Sun Will Never Set Elek Bacsik (1963)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eL.A. is My Lady Frank Sinatra (1984)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eKingfish Lionel Hampton And His Orchestra (1952)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eWho Needs Forever Greg Osby (2000)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Ironside Theme Ray Martin and His Orchestra (1975)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eL’Or de Mackenna  Johnny Hallyday (1969)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eIt’s You Girl The Brothers Johnson (1978)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eMon disque d'été Claude Nougaro (1977)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eThe Q Cinema Suite Jean-Michel Bernard (2016)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003ePeter Gunn (from ‘Henry Mancini: The 100th Sessions’) conducted by Quincy Jones (2024)\u003c\/div\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e","brand":"Quincy Jones","offers":[{"title":"Default Title","offer_id":56528440656254,"sku":"8852633","price":99.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/quincy-boxset20.png?v=1772037473"},{"product_id":"the-complete-live-at-the-lighthouse-12lp-boxset","title":"The Complete Live At The Lighthouse - 12LP Boxset","description":"\u003cp\u003eThe Complete Live at the Lighthouse is an expansive collection that presents for the very first time all 12 sets of music the legendary trumpeter Lee Morgan recorded during his historic engagement at The Lighthouse in Hermosa Beach, California from July 10-12, 1970, with his quintet featuring saxophonist Bennie Maupin, pianist Harold Mabern, bassist Jymie Merritt, and drummer Mickey Roker. This definitive collection produced by Zev Feldmanand David Weiss comes in a 12-LP vinyl set and an 8-CD set that encompass 33 performances including more than 4 hours of previously unreleased music that lets the listener relive the experience of being in the club for every exhilarating moment.\u003c\/p\u003e\u003cp\u003eBoth formats are accompanied by a booklet featuring interviews with Bennie Maupin and Jymie Merritt; essays by Jeffery McMillan and Michael Cuscuna; previously unpublished photos by Joel Franklin and Lee Tanner; and more. The audio was mixed from the original ½” 4-track tapes by Steve Genewick at Capitol Studios with all-analog LP mastering by Kevin Gray at Cohearent Audio and 180g vinyl manufactured at Record Technology Inc. (RTI). CD mastering was done by Robert Vosgien at Capitol Studios.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLP 1 – Friday, July 10, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 1\u003cbr\u003eIntroduction by Lee Morgan 2:06 \u003cbr\u003eThe Beehive 12:51*\u003cbr\u003eIntroduction 0:20\u003cbr\u003eSomething Like This 12:43\u003cbr\u003e\u003cbr\u003eSide B \/ Set 1\u003cbr\u003eYunjana 14:28*\u003cbr\u003eSpeedball 4:34*\u003cbr\u003e\u003cbr\u003eLP 2 – Friday, July 10, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 2\u003cbr\u003eI Remember Britt 16:45*\u003cbr\u003e\u003cbr\u003eSide B \/ Set 2\u003cbr\u003eIntroduction 0:19\u003cbr\u003eAbsolutions 21:55 *\u003cbr\u003eSpeedball 3:46*\u003cbr\u003e\u003cbr\u003eLP 3 – Friday, Jul 10, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 3\u003cbr\u003eIntroduction 0:33\u003cbr\u003eNeophilia 18:52*\u003cbr\u003e\u003cbr\u003eSide B \/ Set 3\u003cbr\u003eIntroduction\u003cbr\u003e416 East 10th Street 11:46\u003cbr\u003eThe Sidewinder 12:49\u003cbr\u003eSpeedball 0:53\u003cbr\u003e\u003cbr\u003eLP 4 – Friday, July 10, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 4\u003cbr\u003eIntroduction 0:30\u003cbr\u003ePeyote 13:23*\u003cbr\u003e\u003cbr\u003eSide B \/ Set 4\u003cbr\u003eSpeedball 11:55\u003cbr\u003e\u003cbr\u003eLP 5 – Saturday, July 11, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 1\u003cbr\u003eAon 13:48\u003cbr\u003e\u003cbr\u003eSide B \/ Set 1\u003cbr\u003eIntroduction 0:21\u003cbr\u003eYunjana 17:32*\u003cbr\u003e\u003cbr\u003eLP 6 – Saturday, July 11, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 2\u003cbr\u003eIntroduction 0:14\u003cbr\u003eSomething Like This 11:46\u003cbr\u003eIntroduction 0:28\u003cbr\u003eI Remember Britt 14:25\u003cbr\u003e\u003cbr\u003eSide B \/ Set 2\u003cbr\u003eIntroduction\u003cbr\u003eThe Beehive 15:23*\u003cbr\u003eSpeedball 7:00*\u003cbr\u003e\u003cbr\u003eLP 7 – Saturday, July 11, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 3\u003cbr\u003eNeophilia 19:18*\u003cbr\u003eSide B \/ Set 3\u003c\/p\u003e\u003cp\u003eNommo 17:44\u003cbr\u003eLP 8 – Saturday, July 11, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 4\u003cbr\u003ePeyote 11:24*\u003cbr\u003e\u003cbr\u003eSide B \/ Set 4\u003cbr\u003eAbsolutions 22:28\u003cbr\u003e\u003cbr\u003eLP 9 – Sunday, July 12, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 1\u003cbr\u003eIntroduction 1:37\u003cbr\u003eSomething Like This 15:39*\u003cbr\u003e\u003cbr\u003eSide B \/ Set 1\u003cbr\u003eYunjana 16:07 \u003cbr\u003e\u003cbr\u003eLP 10 – Sunday, July 12, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 2\u003cbr\u003eI Remember Britt 16:19\u003cbr\u003e\u003cbr\u003eSide B \/ Set 2\u003cbr\u003eAbsolutions 19:35*\u003cbr\u003eSpeedball 0:27*\u003cbr\u003e\u003cbr\u003eLP 11 – Sunday, July 12, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 3\u003cbr\u003eIntroduction\u003cbr\u003eNeophilia 18:59\u003cbr\u003e\u003cbr\u003eSide B \/ Set 3\u003cbr\u003eIntroduction 0:46\u003cbr\u003eThe Beehive 15:11\u003cbr\u003eSpeedball 1:59*\u003cbr\u003e\u003cbr\u003eLP 12 – Sunday, July 12, 1970\u003c\/p\u003e\u003cp\u003eSide A \/ Set 4\u003cbr\u003ePeyote 9:47\u003c\/p\u003e\u003cp\u003eSide B \/ Set 4\u003cbr\u003eNommo 19:21*\u003cbr\u003ePreviously unissued\u003c\/p\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":56616995684734,"sku":"883934","price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/thecompletelive-leemorganlp.png?v=1772036823"}],"url":"https:\/\/shop.decca.com\/collections\/no-sale-2026.oembed?page=3","provider":"Decca Records","version":"1.0","type":"link"}