{"title":"Summer Sale - 15% Off","description":"","products":[{"product_id":"re-member-deluxe-edition-vinyl-boxset","title":"re:member: Deluxe Edition Vinyl Boxset","description":"\u003cp\u003eFollowing the success of his critically-acclaimed album ‘re:member’ and global tour, Icelandic composer, musician and producer Ólafur Arnalds announces the release of the special deluxe edition of his 2018 release, re:member, with 4 LPs featuring brand new arrangements and live reworks. British vocal group VOCES8 perform stunning choral arrangements of tracks ‘momentary’, ‘partial’ and ‘nyepi’, recorded specially for this project.\u003c\/p\u003e\n\n\u003cp\u003eIncluded in the release is an exclusive LP of new material, consisting of meditative extended sonic textures played on his patented Stratus Pianos, two self-playing, semi-generative player pianos. The release also includes a photobook from Ólafur’s 140+ date global re:member tour and four limited-edition prints. 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After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career.\u003cbr\u003e\n\u003cbr\u003e\nThe boxset \u003cem\u003eRound Trip: Ornette Coleman On Blue Note\u003c\/em\u003e presents all-analog 180g Tone Poet Vinyl Editions of all six albums featuring Coleman that were recorded for Blue Note Records, including his five albums as a leader—the two-volume \u003cem\u003eAt The ‘Golden Circle’ Stockholm\u003c\/em\u003e (1965), \u003cem\u003eThe Empty Foxhole\u003c\/em\u003e (1966), \u003cem\u003eNew York Is Now! \u003c\/em\u003e(1968), and \u003cem\u003eLove Call\u003c\/em\u003e (1968)— as well as his lone sideman appearance on \u003cem\u003eNew And Old Gospel \u003c\/em\u003e(1967) by fellow saxophonist Jackie McLean. The boxset includes a booklet featuring rare photos and an enlightening essay by critic Thomas Conrad.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. 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It all includes some of her earliest recordings, four of which, recorded in 1958 with Richard Bonynge at the piano are being published on Decca for the first time, and a set of French songs which were discovered some years ago at the end of the tapes for the French Opera Arias set. Sutherland was also invited to participate in recordings of Beethoven’s Ninth Symphony by Ernest Ansermet and Hans Schmidt-Isserstedt, and these are included, as are two versions of Handel’s Messiah (Boult, Bonynge) and the Solti recording of Verdi’s Requiem. Relative rarities come in the form of an all-Wagner disc (a composer many thought Sutherland was born to sing), bonused with her appearance as the Woodbird in the Solti Ring; Bliss’s A Song of Welcome (from 1954 – her very first studio recording); and Bach’s Cantata ‘Herz und Mund und Tat und Leben’ (Jesu, Joy of Man’s Desiring). For her final Decca recital recording, Sutherland teamed up with fellow Australian, hornist Barry Tuckwell, for a disc of Romantic Trios, with her husband Richard Bonynge at the piano.\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr\u003eBLISS: A Song of Welcome\u003cbr\u003eSIR ARTHUR BLISS \u003cbr\u003eJ.S. 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Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.\u003c\/p\u003e\u003cp\u003eBorn in Havana, Cuba, in 1914, Bolet was the fifth of six children. Showing an early aptitude for the piano, Bolet was able, through private funding as well as pure serendipity (something that informed several key moments in his professional life), to study at the Curtis Institute in Philadelphia with David Saperton, who also taught Shura Cherkassky, Abbey Simon and the young Julius Katchen. Saperton was the son-in-law of Leopold Godowsky and later, Bolet took lessons with him.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eREPERTOIRE\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1: CHOPIN\/GODOWSKY Transcriptions\u003cbr\u003e2: LISZT: Two Concert Studies, S.145; Three Concert Studies, S.144; Six Consolations, S.172; Réminiscences de Don Juan — Mozart, S.418\u003cbr\u003e3: BRAHMS: Variations on a theme by Handel, Op. 24; REGER: Variations and Fugue on a Theme by Telemann, Op. 134\u003cbr\u003e4: LISZT: Schubert Lieder Transcriptions\u003cbr\u003e5: LISZT: Hungarian Rhapsody No.12; Liebestraum No.3; Mephisto Waltz No.1; Funérailles (Harmonies Poétiques Et Religieuses No.7); Rigoletto (Verdi) – Concert Paraphrase; La Campanella \u003cbr\u003e6: LISZT: Sonata in B minor; Valse Impromptu; Liebesträume Nos. 1 \u0026amp; 2; Grand Galop Chromatique\u003cbr\u003e7: LISZT: Années de pèlerinage: Italie \u003cbr\u003e8:RACHMANINOFF: Piano Concerto No. 3 [London Symphony Orchestra\/Ivan Fischer]\u003cbr\u003e9: LISZT: Années de pèlerinage: Suisse\u003cbr\u003e10: LISZT: Années de pèlerinage: Venezia e Napoli; Les Jeux d’eau à la Villa d’Este; Bénédiction de Dieu dans la solitude; Ballade No.2 \u003cbr\u003e11: LISZT: Totentanz; Malédiction; Hungarian Fantasia [London Symphony Orchestra\/Ivan Fischer]; SCHUBERT\/LISZT: Wanderer Fantasie [London Philharmonic Orchestra\/Georg Solti]\u003cbr\u003e12: LISZT: Transcendental Studies S139\u003cbr\u003e13: Piano Encores – Mendelssohn, Chopin, Debussy, Schubert\/Godowsky, Albéniz\/Godowsky, Godowsky, R. 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Undeniable is his stamp on the original Liszt works, but have the transcriptions of the Schubert lieder ever taken wing like they do in these interpretations? He also recorded concertos by Grieg, Chopin, Schumann, and Rachmaninoff as well as solo works by the last three aforementioned.\u003c\/p\u003e","brand":"Jorge Bolet","offers":[{"title":"Default Title","offer_id":50406400885025,"sku":"4854283","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4228\/3553\/files\/jorge-bolet.png?v=1745446809"},{"product_id":"john-williams-in-concert-vinyl-7lp-collection","title":"John Williams in Concert: Vinyl 7LP Collection","description":"\u003cp\u003eIn recent years, legendary John Williams has recorded a series of very special concerts and conducted selections of his most famous film music with some of the world’s greatest orchestras, namely Berliner Philharmoniker, Wiener Philharmoniker, Boston Symphony Orchestra and Saito Kinen Orchestra. Deutsche Grammophon is now issuing a very unique fan-item presenting four different recordings of John Williams’ “Imperial March” from Star Wars: The Empire Strikes Back with these orchestras. 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The first, encompasses recordings from 1959 to 1970 includes an early example of her Mozart, singing Donna Anna in Don Giovanni (with Giulini, 1959), a ‘live’ Alcina recorded the same year with Fritz Wunderlich, the first of two recordings of Lucia di Lammermoor (Pritchard), as well as Faust, Norma, Semiramide, Lakmé and Les Huguenots (all conducted by Bonynge). 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First new release on vinyl since the 1980s, and first-ever Hybrid SACD release. Part of Decca’s Pavarotti-Puccini reissues, marking 100 years since the composer’s death. New high definition 24-bit 192 kHz transfers from the original 1975 master tapes. Presented in deluxe Vinyl \u0026amp; SACD formats. Vinyl Edition: LPs cut at Abbey Road Studios, and pressed on 180gm vinyl; with poly-lined inner sleeves Hybrid. 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[Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e3. Puccini: Dovunque al mondo [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e4. Puccini: America for Ever [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e5. Puccini: Ier l'altro il Consolato [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e6. Puccini: Ecco. Son giunte al sommo del pendio [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e7. Puccini: Gran ventura [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e8. Puccini: L'Imperial Commissario [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e9. Puccini: Vieni, amor mio! [Madama Butterfly, Act I] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 1 Side 2                                                                                                                                                                                                                                                                                        \u003cbr\u003e1. Puccini: È un presente del Mikado [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e2. Puccini: Tutti zitti! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e3. Puccini: O Kami! O Kami! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e4. Puccini: Cio-cio-san! Cio-cio-san! [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e5. Puccini: Bimba, bimba, non piangere [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e6. Puccini: Viene la sera [Madama Butterfly, Act I] - 2025 Remaster\u003cbr\u003e7. Puccini: Vogliatemi bene – Vieni, vieni! (Love Duet) [Madama Butterfly, Act I] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 2 Side 1                                                                                                                                                                                                                                                                                                  \u003cbr\u003e1. Puccini: E Izaghi ed Izanami, Sarundasico e Kami [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e2. Puccini: Un bel dì vedremo [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e3. Puccini: C'è. Entrate [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e4. Puccini: Si sa che aprir la parta [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e5. Puccini: Udiste? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e6. Puccini: Ora a noi. Sedete qui [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e7. Puccini: Ebbene, che fareste, Madama Butterfly? [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e8. Puccini: E questo? E questo? [Madama Butterfly, Act II] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 2 side 2                                                                                                                                                                                                                                                                                                                          \u003cbr\u003e1. Puccini: Che tua madre dovrà prenderti in braccio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e2. Puccini: Vespa! Rospo maledetto! [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e3. Puccini: Una nave da guerra [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e4. Puccini: Scuoti quella fronda di ciliegio [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e5. Puccini: Or vienmi ad adornar [Madama Butterfly, Act II] - 2025 Remaster\u003cbr\u003e6. Puccini: Coro a bocca chiusa \"Humming Chorus\" [Madama Butterfly, Act II] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 3 side 1\u003cbr\u003e1. Puccini: Intermezzo – Oh eh! Oh eh! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e2. Puccini: [Fischi d'uccelli dal giardino] [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e3. Puccini: Già il sole! [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e4. Puccini: Chi sia? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e5. Puccini: Io so che alle sue pene [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e6. Puccini: Non ve l'avevo detto? [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e7. Puccini: Addio, fiorito asil [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e8. Puccini: Suzuki! Suzuki! Dove sei? [Madama Butterfly, Act III] - 2025 Remaster\u003c\/p\u003e\u003cp\u003eLP 3 side 2                                                                                                                                                                                                                                                                                                        \u003cbr\u003e1. Puccini: Tu, Suzuki, che sei tanto biona [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e2. Puccini: Come una mosca prigionera [Madama Butterfly, Act III] - 2025 Remaster\u003cbr\u003e3. Puccini: Con onor muore – Tu, tu, piccolo iddio! 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