MASTERCUTS - Trio 64

Due to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.

Joining Bill Evans (piano) on Trio 64 — his initial three-piece recording for Verve — is the compact rhythm section of Gary Peacock (bass) and Paul Motian (drums). The effort spotlights their communal and intuitive musical discourse, hinging on an uncanny ability of the musicians to simultaneously hear and respond.

All the more interesting, Evans had not interacted in this setting before, having most recently worked with Chuck Israels (bass) and Larry Bunker (drums).
(AMG Review)
 
MUSICIANS
Piano: Bill Evans
Bass: Gary Peacock
Drums: Paul Motian

RECORDED TO TAPE
Date of Recording: December 18, 1963
Location: New York City
Original Tape Number: V6-8578
Recording Producer: Creed Taylor
Session Engineer: Bop Simpson

BOOKLET CONTENT LIST
A Risograph copy of the recording information
A Cyanotype of Bill Evans after an original photograph by Jerome Knill, from a different session
Polaroid of microscopic view of the real groove
A Risograph after an original photo of the Supersense Living Room studio. photographer: Ákos Burg, 2021
"How to caress" by Florian "Doc" Kaps. An info sheet about the Supersense master records and how to care for them
"Project Mastercut" by Florian "Doc" Kaps. An introduction to the Mastercut editions.

Tracklist:
Side A
Little Lulu
A Sleeping Bee
Always
Santa Claus Is Coming To Town

Side B 
I'll See You Again
For Heaven's Sake
Dancing In The Dark
Everything Happens To Me